John Armleder Furniture Sculpture
John Armleder
b. 1948
Furniture Sculpture
acrylic on paper, glass mosaic and wooden table, synthetic fur and wooden chair
68 x 51,4 cm (framed drawing); 88 x 62 x 50 cm (table), 68 x 57 x 77 cm (chair)
Executed in 1992.
Condition Report:
This work is in overall good condition.
Chair - In very good condition. Light and discrete signs of wears along minor surface abrasions are visible throughout inherent to time. The paint layer is in very good condition showing very few and minor losses.
Table - In very good condition. Light and discrete signs of wears along minor surface abrasions are
visible throughout inherent to time.
Acrylic on paper - in fair condition. The paper support is made of two paper sheets hinged together. A strong yellow discoloration of the paper is visible throughout the work. A folding mark is visible on the center part of the work, running from the upper to the lower center edges. A light undulation of the paper is visible notably under raking light. Losses of paper are visible in the upper right corner and on the center lower edge. The center lower edge shows a water stain inducing a brittleness of the paper. This work has been examined framed.
Provenance:
Artist's studio
Collection of Pierre Keller, Switzerland
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John Armleder
b. 1948
Furniture Sculpture
acrylic on paper, glass mosaic and wooden table, synthetic fur and wooden chair
68 x 51,4 cm (framed drawing); 88 x 62 x 50 cm (table), 68 x 57 x 77 cm (chair)
Executed in 1992.
Condition Report:
This work is in overall good condition.
Chair - In very good condition. Light and discrete signs of wears along minor surface abrasions are visible throughout inherent to time. The paint layer is in very good condition showing very few and minor losses.
Table - In very good condition. Light and discrete signs of wears along minor surface abrasions are
visible throughout inherent to time.
Acrylic on paper - in fair condition. The paper support is made of two paper sheets hinged together. A strong yellow discoloration of the paper is visible throughout the work. A folding mark is visible on the center part of the work, running from the upper to the lower center edges. A light undulation of the paper is visible notably under raking light. Losses of paper are visible in the upper right corner and on the center lower edge. The center lower edge shows a water stain inducing a brittleness of the paper. This work has been examined framed.
Provenance:
Artist's studio
Collection of Pierre Keller, Switzerland