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Joseph Raphael (1869-1950), "The Blacksmith," 1896

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Joseph Raphael
(1869-1950)
"The Blacksmith," 1896
Oil on canvas
Signed and dated lower left: Jos. M. Raphael / 96; signed "JM Raphael," alternatively titled "Horseshoer." and inscribed indistinctly, all verso; titled on an exhibition label affixed verso
34 x 26 in.

Provenance:
Mrs. Daniel A. Ryan

Exhibited:
San Francisco, CA, The M.H. de Young Memorial Museum, "Horse Show: Horses in Art from Ancient Times to the Present Day," November 19, 1932 - January 1, 1933

Condition
Visual: Faint craquelure and faint stretcher bar cracks on the left and right sides. A 1 inch diagonal surface abrasion with a rice-sized pressure mark near the center of the lower edge. Blacklight: Hard to read due to thick, uneven varnish layer. While some fluorescence could be due to raw canvas showing through, there could also be possible touch-up in places including in the neck of the horse (approx. 3 x 3 inches), the horse's jaw and the background under the belly of the horse (1 x 2 inches, each), an area at the center left, covering stretcher bar cracks (6 x 2 inches), outlines around figures, and scattered spots and lines elsewhere.Frame: 38 x 29 7/8 x 2 in.Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

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Joseph Raphael
(1869-1950)
"The Blacksmith," 1896
Oil on canvas
Signed and dated lower left: Jos. M. Raphael / 96; signed "JM Raphael," alternatively titled "Horseshoer." and inscribed indistinctly, all verso; titled on an exhibition label affixed verso
34 x 26 in.

Provenance:
Mrs. Daniel A. Ryan

Exhibited:
San Francisco, CA, The M.H. de Young Memorial Museum, "Horse Show: Horses in Art from Ancient Times to the Present Day," November 19, 1932 - January 1, 1933

Condition
Visual: Faint craquelure and faint stretcher bar cracks on the left and right sides. A 1 inch diagonal surface abrasion with a rice-sized pressure mark near the center of the lower edge. Blacklight: Hard to read due to thick, uneven varnish layer. While some fluorescence could be due to raw canvas showing through, there could also be possible touch-up in places including in the neck of the horse (approx. 3 x 3 inches), the horse's jaw and the background under the belly of the horse (1 x 2 inches, each), an area at the center left, covering stretcher bar cracks (6 x 2 inches), outlines around figures, and scattered spots and lines elsewhere.Frame: 38 x 29 7/8 x 2 in.Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

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Time, Location
USA, Clarence, NY
Auction House
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