Jûbako 重箱 (picnic box) with from a banana leaves場所 (bashô) design - Lacquer - Japan - Early Shôwa period (Second quarter 20th century)
Elegant lacquered tiered jûbako 重箱 (picnic box) comprising five stackable tiers, two covers, and a raised tray. Each bearing an attractive deep chestnut brown ground and lacquered in takamaki-e 高蒔絵 (high-relief lacquer design) depicting continuous gold and silver leaves from a banana tree 場所 (bashô) with kirigane 切金 (cut and inlaid pieces of gold leaf) details.
The interior in red lacquer finished with a gold rim.
Period: Japan – Early Shôwa period (Second quarter 20th century) .
The jûbako is in a very good condition with only some very minor traces of wear conform age. Please look at the photos for condition reference.
Dimensions:
Height 49 cm, Width and Depth 24. 5 cm.
In Japan and in Asia the image of the banana plant, its frail leaves in the wind, its watery trunk, is a metaphor for the human body and its impermanence. From the very early days the Basho-plant was a source of inspiration. For example for the 12th century poet Saigyo reads:
"When the wind blows at random
go the leaves of the banana;
Thus is it laid waste;
Can anyone rely on this world? "
(from Donald H. Shively / Hermitary)
When shipped we will add a certificate of authenticity.
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Elegant lacquered tiered jûbako 重箱 (picnic box) comprising five stackable tiers, two covers, and a raised tray. Each bearing an attractive deep chestnut brown ground and lacquered in takamaki-e 高蒔絵 (high-relief lacquer design) depicting continuous gold and silver leaves from a banana tree 場所 (bashô) with kirigane 切金 (cut and inlaid pieces of gold leaf) details.
The interior in red lacquer finished with a gold rim.
Period: Japan – Early Shôwa period (Second quarter 20th century) .
The jûbako is in a very good condition with only some very minor traces of wear conform age. Please look at the photos for condition reference.
Dimensions:
Height 49 cm, Width and Depth 24. 5 cm.
In Japan and in Asia the image of the banana plant, its frail leaves in the wind, its watery trunk, is a metaphor for the human body and its impermanence. From the very early days the Basho-plant was a source of inspiration. For example for the 12th century poet Saigyo reads:
"When the wind blows at random
go the leaves of the banana;
Thus is it laid waste;
Can anyone rely on this world? "
(from Donald H. Shively / Hermitary)
When shipped we will add a certificate of authenticity.