Kawase Hasui (1883-1957)
Kawase Hasui (1883-1957)
Taisho (1912-1926) to Showa (1926-1989) era, 1926-1933
Comprising four oban tate-e prints: the first entitled Asakusa kannon no yukibare (Clearing Sky after Snow, Kannon Temple, Asakusa), from the series Tokyo junidai (12 Scenes of Tokyo), dated 1926, published by Watanabe Shozaburo (Hanken shoyu Watanabe Shozaburo rectangular seal); Hoshizukiyo Miyajima (Starlit Night at Miyajima), from the series Tabi miyage dai sanshu (Souvenirs of Travel III), dated 1928, published by Watanabe Shozaburo (Hanken shoyu Watanabe Shozaburo seal); Kyoto Kiyomizudera (Kiyomizudera Temple in Kyoto), from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), dated 1933; and Tsuchiura no asa (Morning at Tsuchiura), dated 1931, both published by Watanabe Shozaburo (6mm Watanabe round seal); each signed Hasui (4)
15 1/4 x 10 3/16in (38.7 x 25.9cm) each approximately
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Kawase Hasui (1883-1957)
Taisho (1912-1926) to Showa (1926-1989) era, 1926-1933
Comprising four oban tate-e prints: the first entitled Asakusa kannon no yukibare (Clearing Sky after Snow, Kannon Temple, Asakusa), from the series Tokyo junidai (12 Scenes of Tokyo), dated 1926, published by Watanabe Shozaburo (Hanken shoyu Watanabe Shozaburo rectangular seal); Hoshizukiyo Miyajima (Starlit Night at Miyajima), from the series Tabi miyage dai sanshu (Souvenirs of Travel III), dated 1928, published by Watanabe Shozaburo (Hanken shoyu Watanabe Shozaburo seal); Kyoto Kiyomizudera (Kiyomizudera Temple in Kyoto), from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), dated 1933; and Tsuchiura no asa (Morning at Tsuchiura), dated 1931, both published by Watanabe Shozaburo (6mm Watanabe round seal); each signed Hasui (4)
15 1/4 x 10 3/16in (38.7 x 25.9cm) each approximately