Kehinde Wiley, After Memling's Portrait of Jacob Obrecht
oil on panel, in artist's designed hand fabricated frame with 22K gold leaf gilding
panel 21 1/4 x 13 7/8 in. (54 x 35.2 cm)
overall 32 x 35 1/2 in. (81.3 x 90.2 cm)
Executed in 2013.
Provenance
Roberts & Tilton Gallery, Los Angeles
Acquired from the above by the present owner in 2013
Exhibited
Phoenix Art Museum; Cincinnati, Taft Museum of Art, Kehinde Wiley: Memling, February 20, 2013–October 5, 2014, pp. 16, 36–37, 59 (illustrated, pp. 36, 59; detail illustrated, p. 37; Phoenix Art Museum, 2013 installation view illustrated, p. 16)
Bruges, Musea Brugge, Museum Sint-Janshospitaal, Memling Now: Hans Memling in Contemporary Art, October 1, 2020–February 1, 2021, pp. 70, 78 (illustrated, p. 70; Phoenix Art Museum, 2013 installation view illustrated, p. 78)
London, The National Gallery, Kehinde Wiley at the National Gallery: The Prelude, December 10, 2021-April 18, 2022, p. 106 (illustrated)
Literature
Kehinde Wiley: A New Republic, exh. cat., Brooklyn Museum, New York, 2015, p. 154–155, 157, 190 (illustrated, pp. 154–155)
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oil on panel, in artist's designed hand fabricated frame with 22K gold leaf gilding
panel 21 1/4 x 13 7/8 in. (54 x 35.2 cm)
overall 32 x 35 1/2 in. (81.3 x 90.2 cm)
Executed in 2013.
Provenance
Roberts & Tilton Gallery, Los Angeles
Acquired from the above by the present owner in 2013
Exhibited
Phoenix Art Museum; Cincinnati, Taft Museum of Art, Kehinde Wiley: Memling, February 20, 2013–October 5, 2014, pp. 16, 36–37, 59 (illustrated, pp. 36, 59; detail illustrated, p. 37; Phoenix Art Museum, 2013 installation view illustrated, p. 16)
Bruges, Musea Brugge, Museum Sint-Janshospitaal, Memling Now: Hans Memling in Contemporary Art, October 1, 2020–February 1, 2021, pp. 70, 78 (illustrated, p. 70; Phoenix Art Museum, 2013 installation view illustrated, p. 78)
London, The National Gallery, Kehinde Wiley at the National Gallery: The Prelude, December 10, 2021-April 18, 2022, p. 106 (illustrated)
Literature
Kehinde Wiley: A New Republic, exh. cat., Brooklyn Museum, New York, 2015, p. 154–155, 157, 190 (illustrated, pp. 154–155)