Kobayashi Kiyochika (1847-1915)
Kobayashi Kiyochika (1847-1915)
Meiji (1868-1912) to Taisho (1912-1926) era, 1880-1915
Comprising six oban yoko-e prints: the first entitled Hama-cho yori utsusu Ryogoku taika (Great Fire at Ryogoku Drawn from Hama-cho), dated 1881, signed Kobayashi Kiyochika hitsu; Hakone Dogashima no yakei (Night Scene of Dogashima), circa 1914, published by Matsuki Heikichi, signed Kiyochika; Sensoji setchu (Sensoji Temple in the Snow), Asakusa Kuramae natsuyo (Summer Evening at Asakusa Kuramae), and Gohonmatsu uzuki (Rain and Moonlight at Gohommatsu), each signed Kobayashi Kiyochika hitsu; the last entitled Tokiwabashi nai shiheiryo no zu (Sunset: The Bureau for Paper Money at Tokiwa Bridge), dated 1880; each published by Fukuda Kumajiro (6)
10 3/8 x 15 3/4in (26.3 x 40.8cm) largest
9 1/8 x 13 1/4in (23.2 x 33.6cm) smallest
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Kobayashi Kiyochika (1847-1915)
Meiji (1868-1912) to Taisho (1912-1926) era, 1880-1915
Comprising six oban yoko-e prints: the first entitled Hama-cho yori utsusu Ryogoku taika (Great Fire at Ryogoku Drawn from Hama-cho), dated 1881, signed Kobayashi Kiyochika hitsu; Hakone Dogashima no yakei (Night Scene of Dogashima), circa 1914, published by Matsuki Heikichi, signed Kiyochika; Sensoji setchu (Sensoji Temple in the Snow), Asakusa Kuramae natsuyo (Summer Evening at Asakusa Kuramae), and Gohonmatsu uzuki (Rain and Moonlight at Gohommatsu), each signed Kobayashi Kiyochika hitsu; the last entitled Tokiwabashi nai shiheiryo no zu (Sunset: The Bureau for Paper Money at Tokiwa Bridge), dated 1880; each published by Fukuda Kumajiro (6)
10 3/8 x 15 3/4in (26.3 x 40.8cm) largest
9 1/8 x 13 1/4in (23.2 x 33.6cm) smallest