Kobayashi Kiyochika (1847-1915)
Kobayashi Kiyochika (1847-1915)
Meiji era (1868-1912), 1879-1881
Comprising nine oban yoko-e prints: Kawaguchi nabekama seizo zu (Manufacturing Pots and Kettles in Kawaguchi), 1879; Dokanyama yuhigure (Sunset at Mount Dokan), 1879; Mitsumata Eitaibashi enkei (Distant View of Eitai Bridge at Mitsumata), 1880; Odenmacho Daimaru (the Daimaru Store at Odenmacho), 1881; Akasaka Kinokunizaka (Kinokuni Hill, Akasaka), 1880; Mukojima sakura (Cherry Blossoms at Mukojima), 1880; each signed Kobayashi Kiyochika hitsu; Dainikai Naikoku Kangyo Hakurankai nai bijutsukan funsui (The Fountain Outside the Art Museum at the Second Exhibition for the Promotion of Domestic Industry), 1881, signed Kobayashi Kiyochika; Yushima moto seido no kei (View of Former Confucian Temple), 1879; and Tokiwabashi nai shimeryo no zu (The Bureau for Paper Money at Tokyo Bridge), 1880; each published by Fukuda Kumajiro (9)
9 1/8 x 13 1/8in (23.1 x 33.2cm) each approximately
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Kobayashi Kiyochika (1847-1915)
Meiji era (1868-1912), 1879-1881
Comprising nine oban yoko-e prints: Kawaguchi nabekama seizo zu (Manufacturing Pots and Kettles in Kawaguchi), 1879; Dokanyama yuhigure (Sunset at Mount Dokan), 1879; Mitsumata Eitaibashi enkei (Distant View of Eitai Bridge at Mitsumata), 1880; Odenmacho Daimaru (the Daimaru Store at Odenmacho), 1881; Akasaka Kinokunizaka (Kinokuni Hill, Akasaka), 1880; Mukojima sakura (Cherry Blossoms at Mukojima), 1880; each signed Kobayashi Kiyochika hitsu; Dainikai Naikoku Kangyo Hakurankai nai bijutsukan funsui (The Fountain Outside the Art Museum at the Second Exhibition for the Promotion of Domestic Industry), 1881, signed Kobayashi Kiyochika; Yushima moto seido no kei (View of Former Confucian Temple), 1879; and Tokiwabashi nai shimeryo no zu (The Bureau for Paper Money at Tokyo Bridge), 1880; each published by Fukuda Kumajiro (9)
9 1/8 x 13 1/8in (23.1 x 33.2cm) each approximately