Limoges attributed to Jean-Baptiste POYLLEVET, Late 17th or early 18th...
Limoges attributed to Jean-Baptiste POYLLEVET, Late 17th or early 18th century.
" Sainte Marie Madeleine ".
Rectangular plate, with painted polychrome enamel decoration and gold highlights, the subject in an oval medallion.
Counter-enamel in translucent flux with bluish enamels.
Two original fixing holes.
Dim 17 x 12 cm.
Shocks and lacks in the corners.
Saint Mary Magdalene is represented as a penitent, with the nimbus
radiating, in front of a cave with vanities. In the background
a landscape with trees.
The enamelled spandrels, in high relief, represent
baskets of fruit, typical of Poyllevet's work.
The subject is similar to two plaques by Jean-Baptiste
POYLLEVET , one in the Museum of Fine Arts in LIMOGES (inv. 167), the other in the Museum of Fine Arts in NANTES.
Automatically translated by DeepL. To see the original version, click here.
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Limoges attributed to Jean-Baptiste POYLLEVET, Late 17th or early 18th century.
" Sainte Marie Madeleine ".
Rectangular plate, with painted polychrome enamel decoration and gold highlights, the subject in an oval medallion.
Counter-enamel in translucent flux with bluish enamels.
Two original fixing holes.
Dim 17 x 12 cm.
Shocks and lacks in the corners.
Saint Mary Magdalene is represented as a penitent, with the nimbus
radiating, in front of a cave with vanities. In the background
a landscape with trees.
The enamelled spandrels, in high relief, represent
baskets of fruit, typical of Poyllevet's work.
The subject is similar to two plaques by Jean-Baptiste
POYLLEVET , one in the Museum of Fine Arts in LIMOGES (inv. 167), the other in the Museum of Fine Arts in NANTES.
Automatically translated by DeepL. To see the original version, click here.