Lisa Yuskavage
signed, signed with the artist's initials, titled, inscribed and dated "Lisa Yuskavage 1999 "True Blonde IV (AT HOME)" LY/OC/83" on the reverse
oil on linen
66 x 72 in. (167.6 x 182.9 cm)
Painted in 1999, in the United States.
Provenance:
greengrassi, London
Private Collection
Acquired from the above by the present owner
Exhibited:
London, greengrassi, u003cemu003eLisa Yuskavageu003c/emu003e, February 27–April 10, 1999
Istanbul, Dolmabahçe Cultural Center, Hagia Eireni Museum, and Yerebatan Cistern, u003cemu003e6th Istanbul Biennial: The Passion and the Waveu003c/emu003e, September 17–October 30, 1999, p. 247 (illustrated)
New York, Whitney Museum of American Art, u003cemu003e2000 Whitney Biennialu003c/emu003e, March 23–June 4, 2000, pp. 223, 266 (illustrated, p. 223)
Literature:
Edward J. Sozanski, “Film and Video Shine Brightest at This Year’s Whitney Biennial,” u003cemu003eThe Philadelphia Inquireru003c/emu003e, March 26, 2000, p. I8 (illustrated)
Deborah Solomon, “A Roll Call of Fresh Names and Faces,” u003cemu003eThe New York Timesu003c/emu003e, April 16, 2000, p. 35 (illustrated)
Ariel Levy, “Lisa Yuskavage’s Bodies of Work,” u003cemu003eThe New Yorkeru003c/emu003e, August 7, 2023, p. 45
Nolan Kelly, “Artseen: Lisa Yuskavage: Drawings,” u003cemu003eThe Brooklyn Railu003c/emu003e, September 2025
Ariel Levy, et. al., u003cemu003eLisa Yuskavageu003c/emu003e, London, 2025, p. 147 (Whitney Museum of American Art, New York, 1999 press material illustrated)
signed, signed with the artist's initials, titled, inscribed and dated "Lisa Yuskavage 1999 "True Blonde IV (AT HOME)" LY/OC/83" on the reverse
oil on linen
66 x 72 in. (167.6 x 182.9 cm)
Painted in 1999, in the United States.
Provenance:
greengrassi, London
Private Collection
Acquired from the above by the present owner
Exhibited:
London, greengrassi, u003cemu003eLisa Yuskavageu003c/emu003e, February 27–April 10, 1999
Istanbul, Dolmabahçe Cultural Center, Hagia Eireni Museum, and Yerebatan Cistern, u003cemu003e6th Istanbul Biennial: The Passion and the Waveu003c/emu003e, September 17–October 30, 1999, p. 247 (illustrated)
New York, Whitney Museum of American Art, u003cemu003e2000 Whitney Biennialu003c/emu003e, March 23–June 4, 2000, pp. 223, 266 (illustrated, p. 223)
Literature:
Edward J. Sozanski, “Film and Video Shine Brightest at This Year’s Whitney Biennial,” u003cemu003eThe Philadelphia Inquireru003c/emu003e, March 26, 2000, p. I8 (illustrated)
Deborah Solomon, “A Roll Call of Fresh Names and Faces,” u003cemu003eThe New York Timesu003c/emu003e, April 16, 2000, p. 35 (illustrated)
Ariel Levy, “Lisa Yuskavage’s Bodies of Work,” u003cemu003eThe New Yorkeru003c/emu003e, August 7, 2023, p. 45
Nolan Kelly, “Artseen: Lisa Yuskavage: Drawings,” u003cemu003eThe Brooklyn Railu003c/emu003e, September 2025
Ariel Levy, et. al., u003cemu003eLisa Yuskavageu003c/emu003e, London, 2025, p. 147 (Whitney Museum of American Art, New York, 1999 press material illustrated)
