Mario Carreño Abstract Guitar Drawing, Signed & Dated 1948

This captivating abstract drawing by renowned Cuban artist Mario Carreño (1913-1999) features a stylized guitar motif, signed and dated 'Carreño - 48' in the lower right corner. The artwork showcases a complex composition with cubist and surrealist influences, characteristic of Carreño’s mid-century work. Rendered in a mix of ink and watercolor or gouache on paper, the piece presents a vibrant palette of earthy tones, greens, and blues, creating a dynamic interplay of forms. The central guitar figure, adorned with a cowboy hat, is surrounded by abstract organic shapes and elements resembling cacti, evoking a unique blend of cultural and artistic references. This piece offers a glimpse into Carreño's distinctive artistic vision and his contribution to modern Latin American art.
Framed Mixed Media on paper signed Carreno (1913-1999) and dated 48 lower Right
We do not have a COA for this piece and is therefore being sold in the manner of Carreno

DIMENSIONS with frame: Height 17.30 inch / 44 cm
Length 13.40 inch / 34 cm
DIMENSIONS without frame: Height 12.75 inch / 32,4 cm
Length 8.25 inch / 21 cm

Shipping: Basel Auction House will refer local third-party USA and international shippers. Purchase pick up available upon request.
The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Basel Auction House shall have no responsibility for any error or omission. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview the item. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.

Condition Report:
The artwork is in good vintage condition, exhibiting some signs of age consistent with its creation in 1948. There is visible discoloration and tanning of the paper, particularly in the upper right corner where a small piece of old adhesive tape is present. The colors remain vibrant, and there are no apparent tears or significant damage to the paper. The drawing is presented under glass in a gold-toned wooden frame with a white mat, both showing minor wear and scuffs consistent with age and handling. The backing paper of the frame is intact but shows some creasing and age.