Maurice Estève Ouachita-Swing
Property from an Important European Collection
Maurice Estève
1904 - 2001
Ouachita-Swing
signed and dated 79 (upper left) ; signed, titled and dated 79 (on the reverse)
oil on wooden panel
69,4 x 54,3 cm; 27⅜ x 21⅜ in.
Executed in 1979.
_______________________________________________________________________________
Provenant d'une Importante Collection Européenne
Maurice Estève
1904 - 2001
Ouachita-Swing
signé et daté 79 (en haut à gauche) ; signé, titré et daté 79 (au dos)
huile sur panneau de bois
69,4 x 54,3 cm ; 27⅜ x 21⅜ in.
Exécuté en 1979.
Condition Report:
The work was examined framed. The work is executed on two wooden panels which have been cradled behind. There are two minute chips with associated paint losses on the outer left edge. The painted surface presents some stable cracks to the wooden panel, in line with the artistic's choice of support. There are some scattered cracquelures in isolated places, mainly in the thicker red and orange areas of impasto. Inspection under UV light reveals a vertical line of inpainting down the middle of the panels. The work is in good overall condition.
Provenance:
Private collection, France
Galerie Applicat-Prazan, Paris
Private Collection, Europe
View it on
Sale price
Estimate
Time, Location
Auction House
Property from an Important European Collection
Maurice Estève
1904 - 2001
Ouachita-Swing
signed and dated 79 (upper left) ; signed, titled and dated 79 (on the reverse)
oil on wooden panel
69,4 x 54,3 cm; 27⅜ x 21⅜ in.
Executed in 1979.
_______________________________________________________________________________
Provenant d'une Importante Collection Européenne
Maurice Estève
1904 - 2001
Ouachita-Swing
signé et daté 79 (en haut à gauche) ; signé, titré et daté 79 (au dos)
huile sur panneau de bois
69,4 x 54,3 cm ; 27⅜ x 21⅜ in.
Exécuté en 1979.
Condition Report:
The work was examined framed. The work is executed on two wooden panels which have been cradled behind. There are two minute chips with associated paint losses on the outer left edge. The painted surface presents some stable cracks to the wooden panel, in line with the artistic's choice of support. There are some scattered cracquelures in isolated places, mainly in the thicker red and orange areas of impasto. Inspection under UV light reveals a vertical line of inpainting down the middle of the panels. The work is in good overall condition.
Provenance:
Private collection, France
Galerie Applicat-Prazan, Paris
Private Collection, Europe