Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century...
Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century
All decorated in polychrome enamels and gilt on crackled glaze comprising a barb-rimmed bowl painted with a pheasant beneath blossoming cherry trees and chrysanthemums, Mount Fuji in the distance, the exterior with panels of seasonal flowers, signed Hododa; a faceted double-gourd vase painted on the facets with beauties, gentlemen and landscapes, the remaining areas with geometric and floral patterns, signed Kozan; an elongated vase with squared shoulder painted with two shaped panels of immortals, and beauties and children enjoying a garden, the surrounding areas with geometric and floral patterns, and dragon and phoenix roundels the rubbed signature possibly reading Ryozan (3)
6 1/8in (15.6cm) high, the largest
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Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century
All decorated in polychrome enamels and gilt on crackled glaze comprising a barb-rimmed bowl painted with a pheasant beneath blossoming cherry trees and chrysanthemums, Mount Fuji in the distance, the exterior with panels of seasonal flowers, signed Hododa; a faceted double-gourd vase painted on the facets with beauties, gentlemen and landscapes, the remaining areas with geometric and floral patterns, signed Kozan; an elongated vase with squared shoulder painted with two shaped panels of immortals, and beauties and children enjoying a garden, the surrounding areas with geometric and floral patterns, and dragon and phoenix roundels the rubbed signature possibly reading Ryozan (3)
6 1/8in (15.6cm) high, the largest