Mignola
Mignola MIKE MIGNOLA HELLBOY In The Chapel of Moloch, Dark Horse Comics 2008 Original art page no. 1. India ink on paper 29 × 44.2 cm (11.42 × 17.4 in.) This page opens the story *The Hellboy: In the Chapel of Moloch*. The setting is Tavira, Portugal. Hellboy has come to investigate a reclusive painter living in an old chapel who is carving a gigantic effigy of Moloch… Mignola immediately establishes an unsettling atmosphere with a spectacular bird’s-eye view of the typical village, featuring a rhythmic interplay of white terraces and large masses of black reminiscent of Breccia’s style. Hellboy is drawn into this labyrinth. A remarkable demonstration of Mignola’s artistry: storytelling through shadows, masses, and silences.
[ translate ]Mignola MIKE MIGNOLA HELLBOY In The Chapel of Moloch, Dark Horse Comics 2008 Original art page no. 1. India ink on paper 29 × 44.2 cm (11.42 × 17.4 in.) This page opens the story *The Hellboy: In the Chapel of Moloch*. The setting is Tavira, Portugal. Hellboy has come to investigate a reclusive painter living in an old chapel who is carving a gigantic effigy of Moloch… Mignola immediately establishes an unsettling atmosphere with a spectacular bird’s-eye view of the typical village, featuring a rhythmic interplay of white terraces and large masses of black reminiscent of Breccia’s style. Hellboy is drawn into this labyrinth. A remarkable demonstration of Mignola’s artistry: storytelling through shadows, masses, and silences.
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