Mike Kelley and Tony Oursler
1997
Screenprint in colors, on baked enamel sign with bullet holes.
34 3/4 x 35 3/4 x 1 3/8 in. (88.3 x 90.8 x 3.5 cm)
Signed by both artists and numbered '7' in black ink (the edition was 60 and 25 artist's proofs), published by Edition Schellmann, Munich and New York, fabricated in the United States.
Condition Report:
Scattered pale surface soiling, ink craquelure and ink lifting from the support at and around the bullet holes (likely consistent with the making process), two minute linear abrasions at the lower left image (both with associated minute ink loss, largest measures approx. 1/8 in.), a small area of scuffing at the right center black inks (measures approx. 1 1/2 in.), two pinpoint spots of ink loss at the lower left image.
In our opinion, this work is in generally very good condition.
For more information or images, please contact the department at Editions@Phillips.com
Provenance:
Christie's, New York, u003cemu003ePrints and Multiplesu003c/emu003e, September 28, 2004, lot 105
Literature:
Jörg Schellmann, u003cemu003eForty Are Better Than Oneu003c/emu003e, Munich/New York, 2009, p. 414
1997
Screenprint in colors, on baked enamel sign with bullet holes.
34 3/4 x 35 3/4 x 1 3/8 in. (88.3 x 90.8 x 3.5 cm)
Signed by both artists and numbered '7' in black ink (the edition was 60 and 25 artist's proofs), published by Edition Schellmann, Munich and New York, fabricated in the United States.
Condition Report:
Scattered pale surface soiling, ink craquelure and ink lifting from the support at and around the bullet holes (likely consistent with the making process), two minute linear abrasions at the lower left image (both with associated minute ink loss, largest measures approx. 1/8 in.), a small area of scuffing at the right center black inks (measures approx. 1 1/2 in.), two pinpoint spots of ink loss at the lower left image.
In our opinion, this work is in generally very good condition.
For more information or images, please contact the department at Editions@Phillips.com
Provenance:
Christie's, New York, u003cemu003ePrints and Multiplesu003c/emu003e, September 28, 2004, lot 105
Literature:
Jörg Schellmann, u003cemu003eForty Are Better Than Oneu003c/emu003e, Munich/New York, 2009, p. 414
