Moche Grasshopper Effigy Vessel, Rare Insect Form, ex-Drimmer
Pre-Columbian, Peru, Moche, ca. 500–800 CE. A grasshopper modeled in the round, its body swelling into a hollow chamber with a broad oval opening set into the back. The buff, cream-slipped earthenware carries red-brown bands across the thorax and abdomen, with narrower stripes reserved along the tail and a dark accent marking the mandibles. Folded wings and hind legs are rendered in low relief that follows the natural taper of the form, the domed eyes applied as raised pellets. Insect subjects are uncommon in Moche ceramic sculpture, which favors humans, felines, and marine life, and this vessel likely served a funerary or offering role rather than daily use. Size: 5.25" W x 9.75" H x 6" D (13.3 cm W x 24.8 cm H x 15.2 cm D).
Moche potters of Peru's north coast worked in a tightly disciplined palette of red-brown slip on cream, applying it with brush-like precision to press-molded and hand-modeled forms. Their zoomorphic vessels functioned as a visual census of the coastal world: owls, foxes, sea lions, crustaceans, and deer all appear, frequently with human attributes grafted onto them. Insects enter that repertoire far more rarely. Where they do, they are generally read as agricultural omens, tied to the fertility of irrigated valley fields and to the seasonal swarms that could ruin them. Vessels of this type were regularly interred with the dead, and the openings in their backs suggest they held liquid or maize-based offerings.
Provenance: Ex. Collection of Leo and Beatrice Drimmer, acquired in the 1960’s. To family by descent.
SHIPPING: We coordinate worldwide shipping in-house through specialist international forwarders experienced with fine art and antiquities customs manifests. International buyers must confirm, prior to bidding, that their country's customs authority will accept the item. All duties, taxes, clearance fees, and any costs arising from customs delays, seizures, re-export, returns, or loss in transit are the buyer's sole responsibility. Artemis assumes no liability for items refused entry, detained, or lost after export. We cannot ship ancient items to their country of origin (Egyptian to Egypt, Greek to Greece, etc.).For those not using LiveAuctioneers' Live Ship program, Artemis Fine Arts offers expert in-house packing and worldwide shipping. With over 20 years of experience, our team provides careful, reliable, and affordable service. For a quick quote on this lot, please contact support@artemisfinearts.com prior to the auction, or call 720-890-7700.
PAYMENT EXCEPTION: For clients not previously established with Artemis, payment for all gold, precious metal, and gemstone lots must be made by bank wire transfer or certified bank check/money order, without exception.
Item #
73173
Condition
Overall scattered high point paint wear, and general surface pitting on his left rear leg, some general scattered minor pitting, a very minor reattached rim chip, otherwise intact.
Buyer's Premium
30%
Sale price
Estimate
Reserve
Time, Location
Auction House
Pre-Columbian, Peru, Moche, ca. 500–800 CE. A grasshopper modeled in the round, its body swelling into a hollow chamber with a broad oval opening set into the back. The buff, cream-slipped earthenware carries red-brown bands across the thorax and abdomen, with narrower stripes reserved along the tail and a dark accent marking the mandibles. Folded wings and hind legs are rendered in low relief that follows the natural taper of the form, the domed eyes applied as raised pellets. Insect subjects are uncommon in Moche ceramic sculpture, which favors humans, felines, and marine life, and this vessel likely served a funerary or offering role rather than daily use. Size: 5.25" W x 9.75" H x 6" D (13.3 cm W x 24.8 cm H x 15.2 cm D).
Moche potters of Peru's north coast worked in a tightly disciplined palette of red-brown slip on cream, applying it with brush-like precision to press-molded and hand-modeled forms. Their zoomorphic vessels functioned as a visual census of the coastal world: owls, foxes, sea lions, crustaceans, and deer all appear, frequently with human attributes grafted onto them. Insects enter that repertoire far more rarely. Where they do, they are generally read as agricultural omens, tied to the fertility of irrigated valley fields and to the seasonal swarms that could ruin them. Vessels of this type were regularly interred with the dead, and the openings in their backs suggest they held liquid or maize-based offerings.
Provenance: Ex. Collection of Leo and Beatrice Drimmer, acquired in the 1960’s. To family by descent.
SHIPPING: We coordinate worldwide shipping in-house through specialist international forwarders experienced with fine art and antiquities customs manifests. International buyers must confirm, prior to bidding, that their country's customs authority will accept the item. All duties, taxes, clearance fees, and any costs arising from customs delays, seizures, re-export, returns, or loss in transit are the buyer's sole responsibility. Artemis assumes no liability for items refused entry, detained, or lost after export. We cannot ship ancient items to their country of origin (Egyptian to Egypt, Greek to Greece, etc.).For those not using LiveAuctioneers' Live Ship program, Artemis Fine Arts offers expert in-house packing and worldwide shipping. With over 20 years of experience, our team provides careful, reliable, and affordable service. For a quick quote on this lot, please contact support@artemisfinearts.com prior to the auction, or call 720-890-7700.
PAYMENT EXCEPTION: For clients not previously established with Artemis, payment for all gold, precious metal, and gemstone lots must be made by bank wire transfer or certified bank check/money order, without exception.
Item #
73173
Condition
Overall scattered high point paint wear, and general surface pitting on his left rear leg, some general scattered minor pitting, a very minor reattached rim chip, otherwise intact.
Buyer's Premium
30%