![[NATIVE AMERICAN] c. 1900 Sioux Horned Horse Mask](https://gcp-la8-storage-cdn.lot-art.com/public/upl/37/NATIVE-AMERICAN-c-1900-Sioux-Horned-Horse-Mask_6ad0b2062a7b9-full-90173100_1792061959-6ad0b207dc271.jpg "[NATIVE AMERICAN] c. 1900 Sioux Horned Horse Mask")
[NATIVE AMERICAN] c. 1900 Sioux Horned Horse Mask
A Sioux Beaded and Quilled Horse Mask with Horns. Northern Plains, circa 1900.
A wonderful example that represents the distinction accorded to the horse in Plains life and the artistic traditions through which that relationship was honored.
An imposing horse mask of hide with its elongated form surmounted by two polished, upward-curving horns and ornamented with closely spaced bands of pink-dyed quillwork. Following the contours of the face, these narrow bands establish a rhythmic pattern against the pale ground. Light blue beadwork borders incorporate angular motifs in dark blue, red, and green, while pink cloth binding defines the perimeter and red cloth frames the circular apertures. Hide ties and slender, red-wrapped pendants extend from the edges. The contrast between the sweeping dark horns and the delicately worked surface gives the mask a striking sculptural presence.
The horse occupied a central place in the economic, social, and spiritual life of the Sioux peoples. Essential to hunting, travel, and warfare, horses also embodied personal achievement and family standing, while their presentation as gifts could express generosity, commemorate relatives, and confer honor. Elaborate horse furnishings gave visible form to these relationships, bringing the artistry of beadwork and quillwork into the public life of the community.
Horned masks belong to a documented tradition of Plains equestrian regalia in which the horse’s appearance was dramatically transformed through the addition of animal attributes. Such objects could also carry spiritual associations.
The circa 1900 dating places the mask within a period when equestrian display remained an important expression of Native identity under the restrictions of reservation life. Among the Lakota, Fourth of July celebrations provided opportunities to sustain traditions of mounted processions, dancing, and ceremonial giving despite government suppression of Indigenous religious practices. Elaborately adorned horses figured prominently in these gatherings, joining artistic accomplishment with collective remembrance and public expressions of belonging.
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A Sioux Beaded and Quilled Horse Mask with Horns. Northern Plains, circa 1900.
A wonderful example that represents the distinction accorded to the horse in Plains life and the artistic traditions through which that relationship was honored.
An imposing horse mask of hide with its elongated form surmounted by two polished, upward-curving horns and ornamented with closely spaced bands of pink-dyed quillwork. Following the contours of the face, these narrow bands establish a rhythmic pattern against the pale ground. Light blue beadwork borders incorporate angular motifs in dark blue, red, and green, while pink cloth binding defines the perimeter and red cloth frames the circular apertures. Hide ties and slender, red-wrapped pendants extend from the edges. The contrast between the sweeping dark horns and the delicately worked surface gives the mask a striking sculptural presence.
The horse occupied a central place in the economic, social, and spiritual life of the Sioux peoples. Essential to hunting, travel, and warfare, horses also embodied personal achievement and family standing, while their presentation as gifts could express generosity, commemorate relatives, and confer honor. Elaborate horse furnishings gave visible form to these relationships, bringing the artistry of beadwork and quillwork into the public life of the community.
Horned masks belong to a documented tradition of Plains equestrian regalia in which the horse’s appearance was dramatically transformed through the addition of animal attributes. Such objects could also carry spiritual associations.
The circa 1900 dating places the mask within a period when equestrian display remained an important expression of Native identity under the restrictions of reservation life. Among the Lakota, Fourth of July celebrations provided opportunities to sustain traditions of mounted processions, dancing, and ceremonial giving despite government suppression of Indigenous religious practices. Elaborately adorned horses figured prominently in these gatherings, joining artistic accomplishment with collective remembrance and public expressions of belonging.
Request Condition Report
