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Nan Goldin

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signed, titled, numbered, and dated 'Cookie at Sharon's birthday party with Genaro + Lisette, Provincetown. 1976 Nan Goldin 4/25' on the reverse of the mount
dye destruction print, mounted
image: 40.5 x 59.3 cm (15 7/8 x 23 3/8 in.)
sheet: 41.4 x 61 cm (16 1/4 x 24 in.)
framed: 44.5 x 64.3 cm (17 1/2 x 25 3/8 in.)
Executed in 1976, in the United States of America, this work is number 4 from an edition of 25.

Condition Report:
This work is in very good condition. There is minor rubbing to the corners and edges in places with associated minor emulsion losses, predominantly to the lower left horizontal edge and upper left vertical edge, all deemed inherent to the framing method, only visible on close inspection and not visible when the work is framed. This work has been examined under ultraviolet light and there is no evidence of restoration. Otherwise there are no apparent condition issues with this work. This work is framed under glass in a black wooden frame.

Provenance:
Rebecca Camhi Gallery, Athens
Acquired from the above by the present owner

Exhibited:
New York, Whitney Museum of American Art, u003cemu003eNan Goldin: I'll be Your Mirroru003c/emu003e, 3 October 1996-5 January 1997, pp. 259, 467 (another example exhibited and illustrated, p. 259)
Los Angeles, Matthew Marks Gallery, u003cemu003eNan Goldin, 1972–1977u003c/emu003e, 11 September-9 October 2021 (another example exhibited)

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Time, Location
23 Oct 2026
UK, London
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[ translate ]

signed, titled, numbered, and dated 'Cookie at Sharon's birthday party with Genaro + Lisette, Provincetown. 1976 Nan Goldin 4/25' on the reverse of the mount
dye destruction print, mounted
image: 40.5 x 59.3 cm (15 7/8 x 23 3/8 in.)
sheet: 41.4 x 61 cm (16 1/4 x 24 in.)
framed: 44.5 x 64.3 cm (17 1/2 x 25 3/8 in.)
Executed in 1976, in the United States of America, this work is number 4 from an edition of 25.

Condition Report:
This work is in very good condition. There is minor rubbing to the corners and edges in places with associated minor emulsion losses, predominantly to the lower left horizontal edge and upper left vertical edge, all deemed inherent to the framing method, only visible on close inspection and not visible when the work is framed. This work has been examined under ultraviolet light and there is no evidence of restoration. Otherwise there are no apparent condition issues with this work. This work is framed under glass in a black wooden frame.

Provenance:
Rebecca Camhi Gallery, Athens
Acquired from the above by the present owner

Exhibited:
New York, Whitney Museum of American Art, u003cemu003eNan Goldin: I'll be Your Mirroru003c/emu003e, 3 October 1996-5 January 1997, pp. 259, 467 (another example exhibited and illustrated, p. 259)
Los Angeles, Matthew Marks Gallery, u003cemu003eNan Goldin, 1972–1977u003c/emu003e, 11 September-9 October 2021 (another example exhibited)

[ translate ]
Estimate
Unlock
Time, Location
23 Oct 2026
UK, London
Auction House
Unlock