Nature morte aux pommes sur nappe aux carreaux bleus et bouquet feuillage d'automne, Paul Sérusier
Paul Sérusier
1864 - 1927
Nature morte aux pommes sur nappe aux carreaux bleus et bouquet feuillage d'automne
signed P. Sérusier and dated 15 (lower left)
oil on canvas
Painted in 1915.
49,8 x 71,2 cm; 19⅝ x 28 in.
The authenticity of this work has been confirmed by the Comité Paul Sérusier.
___________________________________________________
Paul Sérusier
1864 - 1927
Nature morte aux pommes sur nappe aux carreaux bleus et bouquet feuillage d'automne
signé P. Sérusier et daté 15 (en bas à gauche)
huile sur toile
Peint en 1915.
49,8 x 71,2 cm; 19⅝ x 28 in.
L'authenticité de cette œuvre a été confirmée par le Comité Paul Sérusier.
Condition Report:
The canvas is not lined and is slightly loose. There is a milky and uneven varnish preventing UV light from fully penetrating, however examination under UV light appears to reveal small dots of retouching in places, notably to the red pigment towards the centre of the composition and some areas of light fluorescence, possibly retouching, in places notably towards the lower left corner and to the yellow apples. There are scattered hairline lines of stable craquelure and a few tiny dots of paint losses in places. There is some minor frame rubbing. This work is in overall good condition.
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Paul Sérusier
1864 - 1927
Nature morte aux pommes sur nappe aux carreaux bleus et bouquet feuillage d'automne
signed P. Sérusier and dated 15 (lower left)
oil on canvas
Painted in 1915.
49,8 x 71,2 cm; 19⅝ x 28 in.
The authenticity of this work has been confirmed by the Comité Paul Sérusier.
___________________________________________________
Paul Sérusier
1864 - 1927
Nature morte aux pommes sur nappe aux carreaux bleus et bouquet feuillage d'automne
signé P. Sérusier et daté 15 (en bas à gauche)
huile sur toile
Peint en 1915.
49,8 x 71,2 cm; 19⅝ x 28 in.
L'authenticité de cette œuvre a été confirmée par le Comité Paul Sérusier.
Condition Report:
The canvas is not lined and is slightly loose. There is a milky and uneven varnish preventing UV light from fully penetrating, however examination under UV light appears to reveal small dots of retouching in places, notably to the red pigment towards the centre of the composition and some areas of light fluorescence, possibly retouching, in places notably towards the lower left corner and to the yellow apples. There are scattered hairline lines of stable craquelure and a few tiny dots of paint losses in places. There is some minor frame rubbing. This work is in overall good condition.