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LOT 68

PIERRE-JOSEPH REDOUTÉ | IXIA TACHÉE (IXIA MACULATA)

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PIERRE-JOSEPH REDOUTÉ
Saint-Hubert 1759 - 1840 Paris
IXIA TACHÉE (IXIA MACULATA)

Watercolour and bodycolour, with touches of gum arabic, over black chalk, on vellum;
signed in brown ink, lower left: P.J. Redouté
472 by 342 mm; 18½ by 13½ in

Condition Report:
Hinge mounted to a modern cream mount. With the exception of some very minor buckling to the vellum this work is in absolutely pristine condition, with the combination of media fresh and vibrant throughout. Sold unframed.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Provenance:
Acquired from the artist by Empress Josephine;

thence by descent to Prince Eugène de Beauharnais, Duke of Leuchtenberg, Bavaria;

thence by descent until sold, ("Sale of the Library of Eugène de Beauharnais"), Zurich, Braus-Riggenbach and Ulrico Hoepli, 23 May 1935, lot 82;

Erhard Weyhe, New York;

sale (''Pierre-Joseph Redouté's Liliacées"), New York, Sotheby's, 20 November 1985, lot 137, to W. Graham Arader, New York

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[ translate ]

PIERRE-JOSEPH REDOUTÉ
Saint-Hubert 1759 - 1840 Paris
IXIA TACHÉE (IXIA MACULATA)

Watercolour and bodycolour, with touches of gum arabic, over black chalk, on vellum;
signed in brown ink, lower left: P.J. Redouté
472 by 342 mm; 18½ by 13½ in

Condition Report:
Hinge mounted to a modern cream mount. With the exception of some very minor buckling to the vellum this work is in absolutely pristine condition, with the combination of media fresh and vibrant throughout. Sold unframed.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Provenance:
Acquired from the artist by Empress Josephine;

thence by descent to Prince Eugène de Beauharnais, Duke of Leuchtenberg, Bavaria;

thence by descent until sold, ("Sale of the Library of Eugène de Beauharnais"), Zurich, Braus-Riggenbach and Ulrico Hoepli, 23 May 1935, lot 82;

Erhard Weyhe, New York;

sale (''Pierre-Joseph Redouté's Liliacées"), New York, Sotheby's, 20 November 1985, lot 137, to W. Graham Arader, New York

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Sale price
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Estimate
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Time, Location
29 Jan 2020
USA, New York, NY
Auction House
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