Paulina Olowska
signed, titled and dated 'Paulina Olowska 1999 "Sarah"' on the reverse
oil on canvas
145.5 x 150.4 cm (57 1/4 x 59 1/4 in.)
Painted in 1999, in Poland.
Condition Report:
The work is in good condition. There is minor canvas draw to the corners, most noticeably to the upper right corner with associated very minor paint cracking, only visible on close inspection. There is minor rubbing to the corners and edges in places, minor hairline paint cracking to the edges in places, minor networks of paint cracking towards the upper right corner and towards the centre-right vertical edge, a minor puncture with associated minor hairline paint cracking towards the lower right vertical edge, two minor indentations towards the lower-centre horizontal edge and occasional minor liquid accretions towards the lower left corner and towards the lower-centre horizontal edge, all only visible on close inspection. When examined under ultraviolet light the work fluoresces unevenly, deemed inline with the aging process of the medium, and there is no evidence of restoration. Otherwise, there are no apparent condition issues with this work. The work is framed in a white wooden tray frame, presented float-mounted.
Provenance:
Acquired directly from the artist by the present owner in 1999
Estimate
Time, Location
Auction House
signed, titled and dated 'Paulina Olowska 1999 "Sarah"' on the reverse
oil on canvas
145.5 x 150.4 cm (57 1/4 x 59 1/4 in.)
Painted in 1999, in Poland.
Condition Report:
The work is in good condition. There is minor canvas draw to the corners, most noticeably to the upper right corner with associated very minor paint cracking, only visible on close inspection. There is minor rubbing to the corners and edges in places, minor hairline paint cracking to the edges in places, minor networks of paint cracking towards the upper right corner and towards the centre-right vertical edge, a minor puncture with associated minor hairline paint cracking towards the lower right vertical edge, two minor indentations towards the lower-centre horizontal edge and occasional minor liquid accretions towards the lower left corner and towards the lower-centre horizontal edge, all only visible on close inspection. When examined under ultraviolet light the work fluoresces unevenly, deemed inline with the aging process of the medium, and there is no evidence of restoration. Otherwise, there are no apparent condition issues with this work. The work is framed in a white wooden tray frame, presented float-mounted.
Provenance:
Acquired directly from the artist by the present owner in 1999