Pia Fries
titled and stamped with the artist's stamp 'TADOLIN PIA FRIES' on the reverse of the left part; signed, titled, stamped with the artist's stamp and dated 'Pia Fries 2003 PIA FRIES TADOLIN' on the reverse of the right part
oil and silkscreen ink on panel, diptych
right: 170 x 154.2 cm (66 7/8 x 60 3/4 in.)
left: 170 x 100.2 cm (66 7/8 x 39 1/2 in.)
overall: 170 x 256.2 cm (66 7/8 x 100 in.)
Executed in 2003, in Germany.
Condition Report:
This works is in very good condition. The work is comprised of two parts.
Left Part: There is minor rubbing to the upper-right corner and to the upper-centre horizontal edge and minor pinpoint accretions in places, all only visible on very close inspection.
Right Part: There are two minute media losses to the centre-left vertical edge and a minor surface rub to the thicker impasto to the upper left quadrant, all only visible on very close inspection and under raking light.
This work has been examined under ultraviolet light and there is no evidence of restoration. Otherwise, there are no apparent condition issues with this work. The work is presented unframed.
Provenance:
Acquired directly from the artist by the present owner
Estimate
Time, Location
Auction House
titled and stamped with the artist's stamp 'TADOLIN PIA FRIES' on the reverse of the left part; signed, titled, stamped with the artist's stamp and dated 'Pia Fries 2003 PIA FRIES TADOLIN' on the reverse of the right part
oil and silkscreen ink on panel, diptych
right: 170 x 154.2 cm (66 7/8 x 60 3/4 in.)
left: 170 x 100.2 cm (66 7/8 x 39 1/2 in.)
overall: 170 x 256.2 cm (66 7/8 x 100 in.)
Executed in 2003, in Germany.
Condition Report:
This works is in very good condition. The work is comprised of two parts.
Left Part: There is minor rubbing to the upper-right corner and to the upper-centre horizontal edge and minor pinpoint accretions in places, all only visible on very close inspection.
Right Part: There are two minute media losses to the centre-left vertical edge and a minor surface rub to the thicker impasto to the upper left quadrant, all only visible on very close inspection and under raking light.
This work has been examined under ultraviolet light and there is no evidence of restoration. Otherwise, there are no apparent condition issues with this work. The work is presented unframed.
Provenance:
Acquired directly from the artist by the present owner