Piet Mondrian Paysage près d'Amsterdam
Property from a Private French Collection
Piet Mondrian
1872 - 1944
Paysage près d'Amsterdam
signed PIET MONDRIAAN (lower right); signed Piet Mondriaan (on the reverse)
oil on canvas laid down on cardboard
29,6 x 48,3 cm; 11⅝ x 19 in.
Executed circa 1900-01.
__________________________________________________________________________
Provenant d'une Collection Particulière Française
Piet Mondrian
1872 - 1944
Paysage près d'Amsterdam
signé PIET MONDRIAAN (en bas à droite); signé Piet Mondriaan (au dos)
huile sur toile contrecollé sur carton
29,6 x 48,3 cm; 11⅝ x 19 in
Exécuté vers 1900-01.
Condition Report:
The board is stable and a bit undulating. There is dirt ingrained to the varnish and scattered fly spots. There are a few scratches associated with paint losses to the lower right quadrant and to the center of the right edge. There are a few superficial craquelure in places. Examination under UV light reveals no evidence of retouching. This work is in overall good condition and could benefit from a clean.
Provenance:
Michel Seuphor, Paris (by 1956)
Acquired as a gift from the above by the present owner
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Property from a Private French Collection
Piet Mondrian
1872 - 1944
Paysage près d'Amsterdam
signed PIET MONDRIAAN (lower right); signed Piet Mondriaan (on the reverse)
oil on canvas laid down on cardboard
29,6 x 48,3 cm; 11⅝ x 19 in.
Executed circa 1900-01.
__________________________________________________________________________
Provenant d'une Collection Particulière Française
Piet Mondrian
1872 - 1944
Paysage près d'Amsterdam
signé PIET MONDRIAAN (en bas à droite); signé Piet Mondriaan (au dos)
huile sur toile contrecollé sur carton
29,6 x 48,3 cm; 11⅝ x 19 in
Exécuté vers 1900-01.
Condition Report:
The board is stable and a bit undulating. There is dirt ingrained to the varnish and scattered fly spots. There are a few scratches associated with paint losses to the lower right quadrant and to the center of the right edge. There are a few superficial craquelure in places. Examination under UV light reveals no evidence of retouching. This work is in overall good condition and could benefit from a clean.
Provenance:
Michel Seuphor, Paris (by 1956)
Acquired as a gift from the above by the present owner