Pittore del XIX secolo - Ritratti di giovane donna in bianco con grande capello
\Artist: Pittore del XIX secolo
Technique: olio su tela, cm. 33,5 x 21\Signature: Not signed\Dimensions: 53_10_50_cm
19th century painter Portrait of young woman in white with big hat Oil on canvas, cm. 33. 5 x 21 - not signed Size with frame, cm. 43 x 30 x 5 approx. BROWSE CATALOG (copy link) : https: //www. sfogliami. it/fl/238096/8jr1pv76d1rru6kefskr5ynnmzdrt1#page/81 NOTES: Publication of the catalog of works from the Intermidiart collection. Certificate of Guarantee and Lawful Origin. Work with gilded frame: ". . . Very valuable works for artistic and economic value, created by a talented painter active in the second half of the nineteenth century. The work - in a good state of readability - depicts a classic of nineteenth-century Parisian painting iconography from the late nineteenth century. Specifically, the work in question illustrates a noblewoman - probably - from high society, represented here in three-quarters and a half-length with an elegant posture. The good-looking female figure is portrayed with elegant clothing of great tailoring, made in a white fabric, and on the head a large white hat worn with casual elegance. With equal contempt, the face captures the viewer's attention, adhering to specific canons of Risorgimento beauty, of the Parisian school during the period of the belle époque. From a stylistic point of view, the canvas in question here represents a profound intensity of expression which, flanked by the romantic meditative character, not shy of symbolist reminiscences, and is accompanied by the cutting of the image completely characteristic for the setting, through the fusion of the chromatic masses - with fast and vibrant brushstrokes - giving us a visual solidity that is rarely seen in Italian painting of the 19th century. The figures of this painting that is influenced by romanticism and impressionism but which is also declined with a completely subjective pleasure for that past that recalls the works of the neoclassical school of the early nineteenth century. To increase this sensation of rapidity of the impression, the artist uses the impressionist technique, based on the perception of reality and not on the expression of his concept. Regarding its state of conservation, the work is in fairly fair general conditions considering the age of the painting; the painted surface shows a dirty paint, caused by time, signs that testify to the years of the work (see photo) . The patina is in a fairly conservative state, and with the study of the magnifying glass, the thickness of the pigments and some characteristics of the paint layer, compatible with the painting of the time, can be observed in the painting surface. During the tests with the Wood lamp, small restorations and tampering with the pictorial pigment emerged, and at the same time it demonstrates how the original paint appears as a semi-transparent milky layer, allowing us with caution a temporal confirmation of the execution of the work coinciding with the historical period of the table corresponding to the period of. In grazing sunlight, on the other hand, the characteristics of the color applied with impasto, and of the trend of the brushstroke, are visible, such as: relief, direction, curvature and crackle. The work is placed in a beautiful wooden frame of recent times, and therefore free of charge (the dimensions of the frame are approx. 43 x 30 x 5 cm) . ORIGIN: Coll. private PUBLICATION: Unpublished; MYTHS AND THE TERRITORY in Sicily with a thousand cultures. UNPUBLISHED QUADRERIA general catalog of the paintings from the collection of the “Myths and the territory” cycle, Publisher Lab_04, Marsala, 2021. We also guarantee accurate packaging with external wooden crate and bubble wrap / cardboard / internal polystyrene (packaging cost approximately € 100. 00) and tracked shipping (€ 100. 00 Italy) . For export, the work is subject to a request for a Certificate of Free Movement (European Community) or Export Certificate (Extra-Community Transport) , at the export office (Superintendency of the territory) with the times and costs incurred ( € 300 / € 500, all included: shipping, packaging and particular exports) . The original documents (including catalog, will be sent separately after receiving payment from Catawiki) . The shipment may be delayed by a few days / week for logistical and administrative reasons.
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\Artist: Pittore del XIX secolo
Technique: olio su tela, cm. 33,5 x 21\Signature: Not signed\Dimensions: 53_10_50_cm
19th century painter Portrait of young woman in white with big hat Oil on canvas, cm. 33. 5 x 21 - not signed Size with frame, cm. 43 x 30 x 5 approx. BROWSE CATALOG (copy link) : https: //www. sfogliami. it/fl/238096/8jr1pv76d1rru6kefskr5ynnmzdrt1#page/81 NOTES: Publication of the catalog of works from the Intermidiart collection. Certificate of Guarantee and Lawful Origin. Work with gilded frame: ". . . Very valuable works for artistic and economic value, created by a talented painter active in the second half of the nineteenth century. The work - in a good state of readability - depicts a classic of nineteenth-century Parisian painting iconography from the late nineteenth century. Specifically, the work in question illustrates a noblewoman - probably - from high society, represented here in three-quarters and a half-length with an elegant posture. The good-looking female figure is portrayed with elegant clothing of great tailoring, made in a white fabric, and on the head a large white hat worn with casual elegance. With equal contempt, the face captures the viewer's attention, adhering to specific canons of Risorgimento beauty, of the Parisian school during the period of the belle époque. From a stylistic point of view, the canvas in question here represents a profound intensity of expression which, flanked by the romantic meditative character, not shy of symbolist reminiscences, and is accompanied by the cutting of the image completely characteristic for the setting, through the fusion of the chromatic masses - with fast and vibrant brushstrokes - giving us a visual solidity that is rarely seen in Italian painting of the 19th century. The figures of this painting that is influenced by romanticism and impressionism but which is also declined with a completely subjective pleasure for that past that recalls the works of the neoclassical school of the early nineteenth century. To increase this sensation of rapidity of the impression, the artist uses the impressionist technique, based on the perception of reality and not on the expression of his concept. Regarding its state of conservation, the work is in fairly fair general conditions considering the age of the painting; the painted surface shows a dirty paint, caused by time, signs that testify to the years of the work (see photo) . The patina is in a fairly conservative state, and with the study of the magnifying glass, the thickness of the pigments and some characteristics of the paint layer, compatible with the painting of the time, can be observed in the painting surface. During the tests with the Wood lamp, small restorations and tampering with the pictorial pigment emerged, and at the same time it demonstrates how the original paint appears as a semi-transparent milky layer, allowing us with caution a temporal confirmation of the execution of the work coinciding with the historical period of the table corresponding to the period of. In grazing sunlight, on the other hand, the characteristics of the color applied with impasto, and of the trend of the brushstroke, are visible, such as: relief, direction, curvature and crackle. The work is placed in a beautiful wooden frame of recent times, and therefore free of charge (the dimensions of the frame are approx. 43 x 30 x 5 cm) . ORIGIN: Coll. private PUBLICATION: Unpublished; MYTHS AND THE TERRITORY in Sicily with a thousand cultures. UNPUBLISHED QUADRERIA general catalog of the paintings from the collection of the “Myths and the territory” cycle, Publisher Lab_04, Marsala, 2021. We also guarantee accurate packaging with external wooden crate and bubble wrap / cardboard / internal polystyrene (packaging cost approximately € 100. 00) and tracked shipping (€ 100. 00 Italy) . For export, the work is subject to a request for a Certificate of Free Movement (European Community) or Export Certificate (Extra-Community Transport) , at the export office (Superintendency of the territory) with the times and costs incurred ( € 300 / € 500, all included: shipping, packaging and particular exports) . The original documents (including catalog, will be sent separately after receiving payment from Catawiki) . The shipment may be delayed by a few days / week for logistical and administrative reasons.
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