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REIBOKU: A GOLD LACQUER INRO OF TWO RATS AFTER SHIOMI MASANARI

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Lot details After Shiomi Masanari (1647-1722), signed oyo onmakieshi Reiboku ga 御用 御蒔絵師 冷木 画 Japan, late 18th century, Edo period (1615-1868) Published: Earle, Joe [ed.] (1995) E. A. Wrangham, The Index of Inro Artists, p. 208 (only the signature is illustrated). The three-case inro bearing an attractive kinji ground and lacquered in silver sumi-e togidashi. Signed goyo onmakieshi [official maki-e lacquerers], REIBOKU ga [painted by Reiboku] and with the aritst’s kakihan. This design was frequently used by the Shiomi Masanari lacquerers. HEIGHT 7 cm, LENGTH 6 cm Condition: Good condition. Some light rubbing to lacquer and typical losses to edges. Provenance: Christie’s, London, 1991. Ex-collection Edward Wrangham (no. 2032), acquired from the above. Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published. Auction comparison: Compare a closely related gold lacquer inro with the same design, by Shiomi Masanari, at Christie’s, The Japanese Aesthetic, 15 May 2013, London, lot 392 (sold for GBP 23,750).After Shiomi Masanari (1647-1722), signed oyo onmakieshi Reiboku ga 御用 御蒔絵師 冷木 画 Japan, late 18th century, Edo period (1615-1868) Published: Earle, Joe [ed.] (1995) E. A. Wrangham, The Index of Inro Artists, p. 208 (only the signature is illustrated). The three-case inro bearing an attractive kinji ground and lacquered in silver sumi-e togidashi. Signed goyo onmakieshi [official maki-e lacquerers], REIBOKU ga [painted by Reiboku] and with the aritst’s kakihan. This design was frequently used by the Shiomi Masanari lacquerers. HEIGHT 7 cm, LENGTH 6 cm Condition: Good condition. Some light rubbing to lacquer and typical losses to edges. Provenance: Christie’s, London, 1991. Ex-collection Edward Wrangham (no. 2032), acquired from the above. Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published. Auction comparison: Compare a closely related gold lacquer inro with the same design, by Shiomi Masanari, at Christie’s, The Japanese Aesthetic, 15 May 2013, London, lot 392 (sold for GBP 23,750).

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Lot details After Shiomi Masanari (1647-1722), signed oyo onmakieshi Reiboku ga 御用 御蒔絵師 冷木 画 Japan, late 18th century, Edo period (1615-1868) Published: Earle, Joe [ed.] (1995) E. A. Wrangham, The Index of Inro Artists, p. 208 (only the signature is illustrated). The three-case inro bearing an attractive kinji ground and lacquered in silver sumi-e togidashi. Signed goyo onmakieshi [official maki-e lacquerers], REIBOKU ga [painted by Reiboku] and with the aritst’s kakihan. This design was frequently used by the Shiomi Masanari lacquerers. HEIGHT 7 cm, LENGTH 6 cm Condition: Good condition. Some light rubbing to lacquer and typical losses to edges. Provenance: Christie’s, London, 1991. Ex-collection Edward Wrangham (no. 2032), acquired from the above. Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published. Auction comparison: Compare a closely related gold lacquer inro with the same design, by Shiomi Masanari, at Christie’s, The Japanese Aesthetic, 15 May 2013, London, lot 392 (sold for GBP 23,750).After Shiomi Masanari (1647-1722), signed oyo onmakieshi Reiboku ga 御用 御蒔絵師 冷木 画 Japan, late 18th century, Edo period (1615-1868) Published: Earle, Joe [ed.] (1995) E. A. Wrangham, The Index of Inro Artists, p. 208 (only the signature is illustrated). The three-case inro bearing an attractive kinji ground and lacquered in silver sumi-e togidashi. Signed goyo onmakieshi [official maki-e lacquerers], REIBOKU ga [painted by Reiboku] and with the aritst’s kakihan. This design was frequently used by the Shiomi Masanari lacquerers. HEIGHT 7 cm, LENGTH 6 cm Condition: Good condition. Some light rubbing to lacquer and typical losses to edges. Provenance: Christie’s, London, 1991. Ex-collection Edward Wrangham (no. 2032), acquired from the above. Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published. Auction comparison: Compare a closely related gold lacquer inro with the same design, by Shiomi Masanari, at Christie’s, The Japanese Aesthetic, 15 May 2013, London, lot 392 (sold for GBP 23,750).

Natural Light Images for Logged-in Users Only You can find images of this item taken under natural daylight below. Click on an image to zoom in or save. If there are no natural light images for this item, please email us at office@zacke.at or use the request form below. Log in or sign up to view the natural light images.

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Sale price
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Estimate
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Reserve
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Time, Location
03 May 2024
United Kingdom
Auction House
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