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LOT 27

REZA DERAKSHANI | SILVER FIG TREE (FROM THE FIG TREE SERIES)

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REZA DERAKSHANI
B. 1952
Iranian
SILVER FIG TREE (FROM THE FIG TREE SERIES)

signed and dated in Farsi; signed twice, titled and dated REZA DERAKSHANI TEHRAN 2008 on the reverse
oil, mixed media and silver pigment on canvas
159.5 by 179.8cm.; 62¾ by 73¼in.

Condition Report:
Condition:
This work is in good condition. There are few hairlines cracks running in parts between centre left and bottom left. The craquelure in the centre could benefit from consolidation. The work would benefit from an overall light clean. There is no restoration apparent when viewed under the UV light.

Colour:
The catalogue illustration is very accurate.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Provenance:
Etemad Gallery, Tehran

Private Collection, Turkey (acquired directly from the above by the present owner in 2017)

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Time, Location
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UK, London
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[ translate ]

REZA DERAKSHANI
B. 1952
Iranian
SILVER FIG TREE (FROM THE FIG TREE SERIES)

signed and dated in Farsi; signed twice, titled and dated REZA DERAKSHANI TEHRAN 2008 on the reverse
oil, mixed media and silver pigment on canvas
159.5 by 179.8cm.; 62¾ by 73¼in.

Condition Report:
Condition:
This work is in good condition. There are few hairlines cracks running in parts between centre left and bottom left. The craquelure in the centre could benefit from consolidation. The work would benefit from an overall light clean. There is no restoration apparent when viewed under the UV light.

Colour:
The catalogue illustration is very accurate.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Provenance:
Etemad Gallery, Tehran

Private Collection, Turkey (acquired directly from the above by the present owner in 2017)

[ translate ]
Sale price
Unlock
Estimate
Unlock
Reserve
Unlock
Time, Location
22 Oct 2019
UK, London
Auction House
Unlock