Ramon Pichot Soler (1924-1996) - Leyendo
\Artist: Ramon Pichot Soler (1924-1996)
Technique: Oil on board\Signature: Hand signed\Dimensions: 56_2_48_cm
oil on board Ramon Pichot Soler Signed lower left corner Measurements of the work 38 X 46 Cm Measurements with frame 61X70 Cm A similar one was published on a 54 X 65 cm canvas, this could be understood as a study Ramon Pichot Soler (Figueres, 1924 - 1996) belongs to a family closely linked to the arts. His father - Ricard Pichot - and his uncle Luis were closely related to music: the first cellist, disciple of Pau Casals, and the second violinist. Closer to plastic activity is his uncle Ramon, who developed his pictorial corpus at the end of the 19th century and the beginning of the 20th. Following in his father's footsteps, he began his cello studies, but opted for the plastic arts upon discovering his true vocation. At that time he lived in Paris and there he began his formative stage within the post-impressionist current, a style to which he remained faithful throughout his career. Pichot was twenty years old when he exhibited for the first time. Later, through various exhibitions, he became known both in Spain and in Europe. In March 1954 he exhibited at the "Círculo de Bellas Artes" in Madrid and soon his work would be accepted in the United States, specifically in New York. He exhibited for the first time at the Trosby Gallery in Palm Beach, Florida in 1964 and two years later he exhibited at the Hammer Galleries in New York with great success, which was repeated on numerous occasions until 1981. Victor Hammer writes in a 1968 catalog: "This quality has been shown in Pichot's nudes. They are painted in an aura of distant melancholy, the viewer perceives a certain reserve in the discreet presentation of female forms. The subjective matter is worked so conscientiously that the colors seem more passionate than the attitude of the painter in front of the model, it reveals a deep emotion in each tonality. The naturalness of Pichot constantly emanates from these nudes, they offer us a human warmth that is reminiscent of Renoir. The fact of using red tones and accent colors in contrast to complementary objects and background gives the painting a great depth"
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\Artist: Ramon Pichot Soler (1924-1996)
Technique: Oil on board\Signature: Hand signed\Dimensions: 56_2_48_cm
oil on board Ramon Pichot Soler Signed lower left corner Measurements of the work 38 X 46 Cm Measurements with frame 61X70 Cm A similar one was published on a 54 X 65 cm canvas, this could be understood as a study Ramon Pichot Soler (Figueres, 1924 - 1996) belongs to a family closely linked to the arts. His father - Ricard Pichot - and his uncle Luis were closely related to music: the first cellist, disciple of Pau Casals, and the second violinist. Closer to plastic activity is his uncle Ramon, who developed his pictorial corpus at the end of the 19th century and the beginning of the 20th. Following in his father's footsteps, he began his cello studies, but opted for the plastic arts upon discovering his true vocation. At that time he lived in Paris and there he began his formative stage within the post-impressionist current, a style to which he remained faithful throughout his career. Pichot was twenty years old when he exhibited for the first time. Later, through various exhibitions, he became known both in Spain and in Europe. In March 1954 he exhibited at the "Círculo de Bellas Artes" in Madrid and soon his work would be accepted in the United States, specifically in New York. He exhibited for the first time at the Trosby Gallery in Palm Beach, Florida in 1964 and two years later he exhibited at the Hammer Galleries in New York with great success, which was repeated on numerous occasions until 1981. Victor Hammer writes in a 1968 catalog: "This quality has been shown in Pichot's nudes. They are painted in an aura of distant melancholy, the viewer perceives a certain reserve in the discreet presentation of female forms. The subjective matter is worked so conscientiously that the colors seem more passionate than the attitude of the painter in front of the model, it reveals a deep emotion in each tonality. The naturalness of Pichot constantly emanates from these nudes, they offer us a human warmth that is reminiscent of Renoir. The fact of using red tones and accent colors in contrast to complementary objects and background gives the painting a great depth"
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