Rare Etruscan Applied Red-Figure Bell Krater

Northern Italy, Etruria, late 5th to early 4th century BCE. An incredibly rare and outstanding Etruscan bell krater decorated with an unusual applied red figure technique in which red slip was applied to the black vessel and then details of the figures' physiognomy and attributes were meticulously incised. The vase depicts three nude athletes engaged in conversation on one side, and two draped youths, one of whom is bearded, engaged in conversation on the reverse. A laurel leaf garland adorns the vessel below the rim, and a stylized meander of Greek key motifs underscores the figural scenes on both sides of the vase. A fabulous example, replete with the utmost artistry, intriguing iconography, as well as an unusual applied red-figure technique. Size: 16" W handlespan x 14.125" H (40.6 cm x 35.9 cm)

The traditional red-figure technique allowed for much greater flexibility as opposed to the black-figure technique, for the artist could use a soft, pliable brush rather than a rigid metal graver to delineate interior details, play with the thickness of the lines, as well as build up or dilute glazes to create chromatic effects. The painter would create figures by outlining them in the natural red of the vase, and then enrich these figural forms with black lines to suggest volume, at times perspectival depth, and movement, bringing those silhouettes and their environs to life. However, this vessel was decorated in a different manner. Instead of the traditional red-figure technique described above, red slip was actually applied to the black vessel and then details of the figures' physiognomy and attributes were meticulously incised.

For a similar krater see: J. Beazley, Etruscan Vase Painting, 1947, pl. VIII, 3-4. Late 5th to early 4th Century BCE.

Provenance: private New York, USA collection, acquired on the Paris, France art market in 2008; ex French collection

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#152686 Dimensions: Condition Report: Repaired from multiple pieces with restoration over the break lines. Expected surface wear with minor scuffs to pigmentation, however the figural and decorative programs are still strong. Royal Athena label on underside of base.