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LOT 0114

Rare Sumerian Steatite Temple Stele w/ Eye Idols

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Ancient Near East, Mesopotamia, Sumer, Late Uruk Period, ca. 3500 to 3000 BCE. An incredibly rare example of a schematic stele bearing intriguing iconography and incised decorations, hand-carved from mottled steatite of a dark green, nearly black hue with beige and light grey inclusions. The rectangular stele features flat top and bottom faces, smooth lateral walls, and identical illustrations on the front and back face. Depicted on each face is a central bullseye-motif of concentric circles with two open rings on the exterior that open upwards towards a zigzagging serpentine form enclosed within two trios of concentric bars. Flanking the central circles are two temple facades, each surmounted by a pair of stylized, diamond-shaped eyes like those found on eye idols at the Anatolian archaeological site of Tell Brak. The bottom of each face bears an incised register identical to the top adornments that creates a wondrous presentation evocative of ancient Mesopotamia! Size: 3.4" W x 4.75" H (8.6 cm x 12.1 cm)

The Uruk period (ca. 4000 to 3000 BCE) was a period in the ancient world that existed from the proto-historic Chalcolithic to the Early Bronze Age and is correspondingly named after Uruk, one of the largest and most highly populated cities in ancient Sumer. The Uruk period saw the emergence of urban life, steady trading, artistic expression, and agricultural sustainability in Mesopotamia and is considered to be the formative phase of ancient Sumerian civilization. Votive stelae like this example are some of the earliest known examples of Mesopotamian art. They are predominantly filled with typical Sumerian motifs like abstract zoomorphic creatures, highly stylized anthropomorphic figures, and minimalist architectural elements. The importance of this example stems from the scarcity of this general item typology as it means that comparable examples are few and far between. However, the temple stele that contain abstracted images of 'eye idols' - like this example as well as the Michaux Stele in the Bibliotheque Nationale de France - are exceedingly rare.

Another example of a steatite temple stele, from a later period and with an integral eye idol projecting from the top, hammered for $40,000 at Christie's, New York "Antiquities" auction (sale 2450, June 9, 2011).

This item is accompanied by a copy of a CIRAM Scientific Report (no. 0517-OA-30N-3) - analysis performed by Dr. Olivier Bobin, New York, September 12, 2017.

This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world's largest database of stolen art, collectibles, and antiques.

Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.

Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.

#153165
Condition Report: Minor nicks and abrasions to top, base, peripheries, and some raised details on both faces, with light encrustations within some recessed areas, otherwise intact and near choice. Light earthen deposits and great traces of original iconography on both faces.

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[ translate ]

Ancient Near East, Mesopotamia, Sumer, Late Uruk Period, ca. 3500 to 3000 BCE. An incredibly rare example of a schematic stele bearing intriguing iconography and incised decorations, hand-carved from mottled steatite of a dark green, nearly black hue with beige and light grey inclusions. The rectangular stele features flat top and bottom faces, smooth lateral walls, and identical illustrations on the front and back face. Depicted on each face is a central bullseye-motif of concentric circles with two open rings on the exterior that open upwards towards a zigzagging serpentine form enclosed within two trios of concentric bars. Flanking the central circles are two temple facades, each surmounted by a pair of stylized, diamond-shaped eyes like those found on eye idols at the Anatolian archaeological site of Tell Brak. The bottom of each face bears an incised register identical to the top adornments that creates a wondrous presentation evocative of ancient Mesopotamia! Size: 3.4" W x 4.75" H (8.6 cm x 12.1 cm)

The Uruk period (ca. 4000 to 3000 BCE) was a period in the ancient world that existed from the proto-historic Chalcolithic to the Early Bronze Age and is correspondingly named after Uruk, one of the largest and most highly populated cities in ancient Sumer. The Uruk period saw the emergence of urban life, steady trading, artistic expression, and agricultural sustainability in Mesopotamia and is considered to be the formative phase of ancient Sumerian civilization. Votive stelae like this example are some of the earliest known examples of Mesopotamian art. They are predominantly filled with typical Sumerian motifs like abstract zoomorphic creatures, highly stylized anthropomorphic figures, and minimalist architectural elements. The importance of this example stems from the scarcity of this general item typology as it means that comparable examples are few and far between. However, the temple stele that contain abstracted images of 'eye idols' - like this example as well as the Michaux Stele in the Bibliotheque Nationale de France - are exceedingly rare.

Another example of a steatite temple stele, from a later period and with an integral eye idol projecting from the top, hammered for $40,000 at Christie's, New York "Antiquities" auction (sale 2450, June 9, 2011).

This item is accompanied by a copy of a CIRAM Scientific Report (no. 0517-OA-30N-3) - analysis performed by Dr. Olivier Bobin, New York, September 12, 2017.

This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world's largest database of stolen art, collectibles, and antiques.

Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.

Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.

#153165
Condition Report: Minor nicks and abrasions to top, base, peripheries, and some raised details on both faces, with light encrustations within some recessed areas, otherwise intact and near choice. Light earthen deposits and great traces of original iconography on both faces.

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Sale price
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Estimate
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Time, Location
07 Oct 2021
USA, Louisville, CO
Auction House
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