Raymond Pettibon, Collection of eight zines
Raymond Pettibon
Collection of eight zines
1985-92
staple-bound offset lithographs
8.5 h x 5.5 w in (22 x 14 cm)
Complete Lot Details
Super Session Ten Raymond Pettibon, STP Publications, Hermosa Beach, CA, 1992. Numbered to lower edge '93/100'. This work is number 93 from the edition of 100 published by STP Publications, Hermosa Beach, CA.
One Foot in the Mouth, One Foot on the Shelf Raymond Pettibon and Nelson Tarpenny, Superflux Publications, Hermosa Beach, CA, 1992. Numbered to lower right '101'. This work is number 101 from the edition published by Superflux Publications, Hermosa Beach, CA.
From a Lower Raymond Pettibon, Superflux Publications, Hermosa Beach, CA, 1991. Numbered to lower right '75/75'. This work is number 75 from the edition of 75 published by Superflux Publications, Hermosa Beach, CA.
The Train-Watcher Raymond Pettibon, Superflux Publications, Hermosa Beach, CA, 1991. Numbered to lower right '75/75'. This work is number 75 from the edition of 75 published by Superflux Publications, Hermosa Beach, CA.
Tripping Corpse 9 Raymond Pettibon, SST Publications, Lawndale, CA, 1986. Numbered to lower right '26'. This work is number 26 from the edition of 50 published by SST Publications, Lawndale, CA.
Like Death Valley Raymond Pettibon, SST Publications, Lawndale, CA, 1985. Numbered to lower right '223'. This work is number 223 from the edition of 500 published by SST Publications, Lawndale, CA.
The Observable World Raymond Pettibon, SST Publications, Lawndale, CA, 1985. Numbered to lower right '246'. This work is number 246 from the edition of 500 published by SST Publications, Lawndale, CA.
Origin Issue Raymond Pettibon, SST Publications, Lawndale, CA, 1985/1991. Numbered to lower right '75/75'. This work is number 75 from the edition of 75 published by SST Publications, Lawndale, CA.
This work will ship from Los Angeles, California.
Condition Report: Works are in good condition. Minor signs of handling and age throughout, including toning, creases and marks. A few zines show stains to the covers, some of which have transferred to interior pages.
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Raymond Pettibon
Collection of eight zines
1985-92
staple-bound offset lithographs
8.5 h x 5.5 w in (22 x 14 cm)
Complete Lot Details
Super Session Ten Raymond Pettibon, STP Publications, Hermosa Beach, CA, 1992. Numbered to lower edge '93/100'. This work is number 93 from the edition of 100 published by STP Publications, Hermosa Beach, CA.
One Foot in the Mouth, One Foot on the Shelf Raymond Pettibon and Nelson Tarpenny, Superflux Publications, Hermosa Beach, CA, 1992. Numbered to lower right '101'. This work is number 101 from the edition published by Superflux Publications, Hermosa Beach, CA.
From a Lower Raymond Pettibon, Superflux Publications, Hermosa Beach, CA, 1991. Numbered to lower right '75/75'. This work is number 75 from the edition of 75 published by Superflux Publications, Hermosa Beach, CA.
The Train-Watcher Raymond Pettibon, Superflux Publications, Hermosa Beach, CA, 1991. Numbered to lower right '75/75'. This work is number 75 from the edition of 75 published by Superflux Publications, Hermosa Beach, CA.
Tripping Corpse 9 Raymond Pettibon, SST Publications, Lawndale, CA, 1986. Numbered to lower right '26'. This work is number 26 from the edition of 50 published by SST Publications, Lawndale, CA.
Like Death Valley Raymond Pettibon, SST Publications, Lawndale, CA, 1985. Numbered to lower right '223'. This work is number 223 from the edition of 500 published by SST Publications, Lawndale, CA.
The Observable World Raymond Pettibon, SST Publications, Lawndale, CA, 1985. Numbered to lower right '246'. This work is number 246 from the edition of 500 published by SST Publications, Lawndale, CA.
Origin Issue Raymond Pettibon, SST Publications, Lawndale, CA, 1985/1991. Numbered to lower right '75/75'. This work is number 75 from the edition of 75 published by SST Publications, Lawndale, CA.
This work will ship from Los Angeles, California.
Condition Report: Works are in good condition. Minor signs of handling and age throughout, including toning, creases and marks. A few zines show stains to the covers, some of which have transferred to interior pages.
