Rembrandt van Rijn (1606-1669) St. Jerome in a Dark Chamber
Rembrandt van Rijn (1606-1669)
St. Jerome in a Dark Chamber
Etching with plate tone, 1642, a dark atmospheric and richly-inked impression of New Hollstein's second state (of three) with curtain at right partly burnished into a concave outline, on laid paper with partial watermark of Seven provinces [see Hinterding Seven provinces-D-a], sheet 150 x 170mm (5 7/8 x 6 3/4in), trimmed on or just within the platemark (unframed)
Literature:
Hind 201; New Hollstein ii/iii
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Rembrandt van Rijn (1606-1669)
St. Jerome in a Dark Chamber
Etching with plate tone, 1642, a dark atmospheric and richly-inked impression of New Hollstein's second state (of three) with curtain at right partly burnished into a concave outline, on laid paper with partial watermark of Seven provinces [see Hinterding Seven provinces-D-a], sheet 150 x 170mm (5 7/8 x 6 3/4in), trimmed on or just within the platemark (unframed)
Literature:
Hind 201; New Hollstein ii/iii