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LOT 6

Reynolds, Sir Joshua (1723-1792), Head of an Angel, or Child, after Correggio, oil on canvas

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Attributed to Sir Joshua Reynolds (1723-1792). Child's Head, after Antonio da Correggio (1489-1534), oil on canvas, 44.5 x 36.2 cm (17 1/2 x 14 1/4 ins), with Christie’s stencilled auction number 266SR to verso, framed in ornate gilt moulded frame with moulded vine motif, glazed (62 x 49 cm)

(Qty: 1)

Provenance: Duke of Marlborough by 1860; his sale, Christie's 31 July 1886, lot 215, bought anonymously, £7, 7s; private collection, USA; sold Christie's, 19 June 1970, lot 129 (Christie’s stencilled number 266SR to verso); private collection, Warwickshire, England.

Literature: David Mannings and Martin Postle, Joshua Reynolds, A Complete Catalogue of his Paintings (New Haven and London, 2000), number 2217 (Child's Head, after Correggio, private collection).

This work is included in the catalogue raisonné of Reynolds' paintings referred to above, where the authors state that this work is 'alleged to be a copy after a head of a putto in one of the pendentives of the cupola in S. Giovanni Evangelista, Parma'. Reynolds is known to have been in Parma in July 1752. We are grateful to Martin Postle for his assistance in identifying this work and the catalogue entry relating to it.

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[ translate ]

Attributed to Sir Joshua Reynolds (1723-1792). Child's Head, after Antonio da Correggio (1489-1534), oil on canvas, 44.5 x 36.2 cm (17 1/2 x 14 1/4 ins), with Christie’s stencilled auction number 266SR to verso, framed in ornate gilt moulded frame with moulded vine motif, glazed (62 x 49 cm)

(Qty: 1)

Provenance: Duke of Marlborough by 1860; his sale, Christie's 31 July 1886, lot 215, bought anonymously, £7, 7s; private collection, USA; sold Christie's, 19 June 1970, lot 129 (Christie’s stencilled number 266SR to verso); private collection, Warwickshire, England.

Literature: David Mannings and Martin Postle, Joshua Reynolds, A Complete Catalogue of his Paintings (New Haven and London, 2000), number 2217 (Child's Head, after Correggio, private collection).

This work is included in the catalogue raisonné of Reynolds' paintings referred to above, where the authors state that this work is 'alleged to be a copy after a head of a putto in one of the pendentives of the cupola in S. Giovanni Evangelista, Parma'. Reynolds is known to have been in Parma in July 1752. We are grateful to Martin Postle for his assistance in identifying this work and the catalogue entry relating to it.

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Sale price
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Estimate
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Time, Location
13 Oct 2021
United Kingdom
Auction House
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