Robert Combas La vie est en bleu vert et rose...
Robert Combas
b. 1957
La vie est en bleu vert et rose fuschia. La vie a une grosse tête et un corps énervé qui brillent tout le temps
signed (lower right)
acrylic and glitter on canvas
32 x 40,3 cm; 12⅝ x 15⅞ in.
Executed in 1997.
The authenticity of this work has been confirmed by the Archives Robert Combas.
__________________________________________
Robert Combas
n. 1957
La vie est en bleu vert et rose fuschia. La vie a une grosse tête et un corps énervé qui brillent tout le temps
signé (en bas à droite)
acrylique et paillettes sur toile
32 x 40,3 cm ; 12⅝ x 15⅞ in.
Exécuté en 1997.
L'authenticité de cette oeuvre a été confirmée par les Archives Robert Combas.
Condition Report:
Upon very close inspection,a very light sign of wear is visible in the lower right corner. There is a short and faint rub mark to the upper left corner, and some very short and fine drying cracks in the green metallic paint and the yellow pigment along the lower horizontal edge. In the upper right quadrant, in the red paint, there is a minute scratch. Inspection under UV light does not reveal signs of retouching. The work is in overall very good condition.
Provenance:
Galerie Laurence Strouk, Paris
Acquired from the above by the present owner
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Robert Combas
b. 1957
La vie est en bleu vert et rose fuschia. La vie a une grosse tête et un corps énervé qui brillent tout le temps
signed (lower right)
acrylic and glitter on canvas
32 x 40,3 cm; 12⅝ x 15⅞ in.
Executed in 1997.
The authenticity of this work has been confirmed by the Archives Robert Combas.
__________________________________________
Robert Combas
n. 1957
La vie est en bleu vert et rose fuschia. La vie a une grosse tête et un corps énervé qui brillent tout le temps
signé (en bas à droite)
acrylique et paillettes sur toile
32 x 40,3 cm ; 12⅝ x 15⅞ in.
Exécuté en 1997.
L'authenticité de cette oeuvre a été confirmée par les Archives Robert Combas.
Condition Report:
Upon very close inspection,a very light sign of wear is visible in the lower right corner. There is a short and faint rub mark to the upper left corner, and some very short and fine drying cracks in the green metallic paint and the yellow pigment along the lower horizontal edge. In the upper right quadrant, in the red paint, there is a minute scratch. Inspection under UV light does not reveal signs of retouching. The work is in overall very good condition.
Provenance:
Galerie Laurence Strouk, Paris
Acquired from the above by the present owner