Robert Longo Study for Ophelia #1 (B)
Robert Longo
b. 1953
Study for Ophelia #1 (B)
signed with artist’s initials, titled and dated 2003
ink and charcoal on vellum
31,8 x 34,3 cm ; 12 1/2 x 13 1/2 in. (image)
45,5 x 46 cm ; 17 15/16 x 18 1/8 in. (sheet)
Executed in 2003.
__________________________________________________
Robert Longo
n. 1953
Study for Ophelia #1 (B)
signé des initiales de l'artiste, titré et daté 2003
encre et fusain sur papier vellum
31,8 x 34,3 cm 12 1/2 x 13 1/2 in. (image)
45,5 x 46 cm ; 17 15/16 x 18 1/8 in. (feuille)
Exécuté en 2003.
Condition Report:
The work was inspected unframed. The work is executed on tracing/vellum paper and the sheet is slightly undulating. Pinholes are present at each corner. The pencil and the colours have slightly faded with age. There is a vertical tear on the lower left edge but are not visible when framed. There are some remnants of tape along the outer edges and towards the lower right edge.
Provenance:
Galerie Daniel Templon, Paris
Private Collection, Paris
Christie’s, Post-War and Contemporary Art, 26 June 2019, lot 131
Acquired from the above by the present owner
____________________________________________________________
Galerie Daniel Templon, Paris
Collection Particulière, Paris
Christie’s, Post-War and Contemporary Art, 26 juin 2019, lot 131
Acquis auprès du précédent par le propriétaire actuel
View it on
% from the market value
Sale price
Estimate
Time, Location
Auction House
Robert Longo
b. 1953
Study for Ophelia #1 (B)
signed with artist’s initials, titled and dated 2003
ink and charcoal on vellum
31,8 x 34,3 cm ; 12 1/2 x 13 1/2 in. (image)
45,5 x 46 cm ; 17 15/16 x 18 1/8 in. (sheet)
Executed in 2003.
__________________________________________________
Robert Longo
n. 1953
Study for Ophelia #1 (B)
signé des initiales de l'artiste, titré et daté 2003
encre et fusain sur papier vellum
31,8 x 34,3 cm 12 1/2 x 13 1/2 in. (image)
45,5 x 46 cm ; 17 15/16 x 18 1/8 in. (feuille)
Exécuté en 2003.
Condition Report:
The work was inspected unframed. The work is executed on tracing/vellum paper and the sheet is slightly undulating. Pinholes are present at each corner. The pencil and the colours have slightly faded with age. There is a vertical tear on the lower left edge but are not visible when framed. There are some remnants of tape along the outer edges and towards the lower right edge.
Provenance:
Galerie Daniel Templon, Paris
Private Collection, Paris
Christie’s, Post-War and Contemporary Art, 26 June 2019, lot 131
Acquired from the above by the present owner
____________________________________________________________
Galerie Daniel Templon, Paris
Collection Particulière, Paris
Christie’s, Post-War and Contemporary Art, 26 juin 2019, lot 131
Acquis auprès du précédent par le propriétaire actuel
% from the market value