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LOT 127

SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S | STUDY OF A MALE NUDE AND TWO STUDIES OF ARMS FOR "THE GARDEN OF PAN"

[ translate ]

SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S
Birmingham 1833 - 1898 London
STUDY OF A MALE NUDE AND TWO STUDIES OF ARMS FOR "THE GARDEN OF PAN"

Black and white chalk on brown paper
360 by 240 mm; 14¼ by 9½ in

Condition Report:
Hinge mounted to a modern mount. There is a small nick to the centre of the left edge and some minor stains to the lower left quarter. The paper retains much of its original vibrant color with the chalk media fresh and the overall image strong. Sold in a Pre-Raphaelite style reproduction frame.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Provenance:
By descent to the artist’s daughter Margaret McKail (nee Burne-Jones);

with Louis Meier, London,

where acquired by Ralph Holland, Newcastle, circa 1954,

his sale, London, Sotheby's, 5 July 2013, lot 367;

with Stephen Ongpin Fine Art, London

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USA, New York, NY
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[ translate ]

SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S
Birmingham 1833 - 1898 London
STUDY OF A MALE NUDE AND TWO STUDIES OF ARMS FOR "THE GARDEN OF PAN"

Black and white chalk on brown paper
360 by 240 mm; 14¼ by 9½ in

Condition Report:
Hinge mounted to a modern mount. There is a small nick to the centre of the left edge and some minor stains to the lower left quarter. The paper retains much of its original vibrant color with the chalk media fresh and the overall image strong. Sold in a Pre-Raphaelite style reproduction frame.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Provenance:
By descent to the artist’s daughter Margaret McKail (nee Burne-Jones);

with Louis Meier, London,

where acquired by Ralph Holland, Newcastle, circa 1954,

his sale, London, Sotheby's, 5 July 2013, lot 367;

with Stephen Ongpin Fine Art, London

[ translate ]
Sale price
Unlock
Estimate
Unlock
Time, Location
29 Jan 2020
USA, New York, NY
Auction House
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