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LOT 37

[STILL-LIFE PAINTING] – LOT of 30 mainly late 20th-cent. Dutch & English (scholarly) works, mainly related to 17th-cent. Dutch still-life painting.

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Description

With (col.) plates & ills. Various sizes, various bindings.

Footnote

¶ All vols. ex bibliotheca prof. dr. Albert Blankert (1940-2022, Dutch art historian) comprising i.a. F.G. MEIJER, “The Ashmolean Museum Oxford. Catalogue of the collection of paintings. The collection of Dutch and Flemish still-life paintings bequeathed by Daisy Linda Ward” (2003); S.A. SULLIVAN, “The Dutch Gamepiece” (1984); P. TAYLOR, “Bloemstillevens in de Gouden Eeuw, 1600-1720” (1995); A. CHONG & W. KLOEK, “Het Nederlandse Stilleven, 1550-1720” (1999); Q. BUVELOT, “De stillevens van Adriaen Coorte (werkzaam c. 1683-1707). Met oeuvrecatalogus” (2008); [P. VAN DEN BRINK & F.G. MEIJER] [ed.], “Willem Kalf, 1619-1693” (2006); P. BIESBOER [a.o.], “Pieter Claesz. Meester van het stilleven in de Gouden Eeuw” (2004); A. VAN DER WILLIGEN & F.G. MEIJER, “A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525-1725” (2003); S. SEGAL, “Jan Davidsz de Heem en zijn kring” (1991); S. SEGAL, “Flowers and Nature. Netherlandish Flower Painting of Four Centuries” (1990); S. SEGAL, “A Prosperous Past. The Sumptuous Still Life In The Netherlands, 1600-1700. [Edited by W.B. Jordan]” (1988); E. DE JONGH [a.o.], “Still-life in the age of Rembrandt” (1982); M. VAN BOVEN & S. SEGAL, “Gerard & Cornelis van Spaendonck. Twee Brabantse bloemenschilders in Parijs” (1980) & L.J. BOL, “The Bosschaert dynasty. Painters of flowers and fruit” (1980). ¶ Partly with small imperfections and/or traces of use.

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[ translate ]

Description

With (col.) plates & ills. Various sizes, various bindings.

Footnote

¶ All vols. ex bibliotheca prof. dr. Albert Blankert (1940-2022, Dutch art historian) comprising i.a. F.G. MEIJER, “The Ashmolean Museum Oxford. Catalogue of the collection of paintings. The collection of Dutch and Flemish still-life paintings bequeathed by Daisy Linda Ward” (2003); S.A. SULLIVAN, “The Dutch Gamepiece” (1984); P. TAYLOR, “Bloemstillevens in de Gouden Eeuw, 1600-1720” (1995); A. CHONG & W. KLOEK, “Het Nederlandse Stilleven, 1550-1720” (1999); Q. BUVELOT, “De stillevens van Adriaen Coorte (werkzaam c. 1683-1707). Met oeuvrecatalogus” (2008); [P. VAN DEN BRINK & F.G. MEIJER] [ed.], “Willem Kalf, 1619-1693” (2006); P. BIESBOER [a.o.], “Pieter Claesz. Meester van het stilleven in de Gouden Eeuw” (2004); A. VAN DER WILLIGEN & F.G. MEIJER, “A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525-1725” (2003); S. SEGAL, “Jan Davidsz de Heem en zijn kring” (1991); S. SEGAL, “Flowers and Nature. Netherlandish Flower Painting of Four Centuries” (1990); S. SEGAL, “A Prosperous Past. The Sumptuous Still Life In The Netherlands, 1600-1700. [Edited by W.B. Jordan]” (1988); E. DE JONGH [a.o.], “Still-life in the age of Rembrandt” (1982); M. VAN BOVEN & S. SEGAL, “Gerard & Cornelis van Spaendonck. Twee Brabantse bloemenschilders in Parijs” (1980) & L.J. BOL, “The Bosschaert dynasty. Painters of flowers and fruit” (1980). ¶ Partly with small imperfections and/or traces of use.

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Time, Location
27 Mar 2023
Netherlands, Hague
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