Sam Francis(United States, 1923-1994) Untitled
Untitled
Signed Sam Francis and dated 1988 verso. Acrylic on paper, 77 x 56 cm. Including frame, 93 x 70.5 cm.
Provenance:
Wetterling Gallery, Stockholm.
More Information:
“Painting is about the beauty of space and the power of containment.”
- Sam Francis
Sam Francis is one of the most significant abstract artists of the American postwar period. His painting is characterised by a distinctive interplay of colour, movement and open space, in which the physical presence of pigment becomes a central element of the work’s expression.
In the work presented here, intense fields of violet, blue, green, yellow, orange and red converge in a dense and dynamic composition. The relationship between colour and empty space is central to Francis’s art. The white paper does not function as a neutral background, but rather as an active space within the composition.
Francis’s working method combined spontaneity with a strong sense of composition. Paint could be poured, dripped, splashed and dragged across the support, giving rise to unpredictable encounters between pigments.
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Untitled
Signed Sam Francis and dated 1988 verso. Acrylic on paper, 77 x 56 cm. Including frame, 93 x 70.5 cm.
Provenance:
Wetterling Gallery, Stockholm.
More Information:
“Painting is about the beauty of space and the power of containment.”
- Sam Francis
Sam Francis is one of the most significant abstract artists of the American postwar period. His painting is characterised by a distinctive interplay of colour, movement and open space, in which the physical presence of pigment becomes a central element of the work’s expression.
In the work presented here, intense fields of violet, blue, green, yellow, orange and red converge in a dense and dynamic composition. The relationship between colour and empty space is central to Francis’s art. The white paper does not function as a neutral background, but rather as an active space within the composition.
Francis’s working method combined spontaneity with a strong sense of composition. Paint could be poured, dripped, splashed and dragged across the support, giving rise to unpredictable encounters between pigments.