T. Lux Feininger Andor Weininger & Alexander Xanti Schawinsky Clowning...
About Face: The David and Gail Mixer Collection of Photographs
T. Lux Feininger
1910 - 2011
Andor Weininger & Alexander 'Xanti' Schawinsky Clowning with 'Der Geldbriefträger' (Money Postman)
gelatin silver print, signed and annotated in German in ink, a circular label, with '89' in ink, and stray red china marker notations on the reverse, framed
image: 3¼ by 3⅜ in. (8.3 by 8.6 cm.)
frame: 12¾ by 12¾ in. (32.4 by 32.4 cm.)
Executed in 1929-30.
Condition Report:
Please note the colors and shades in the online catalogue illustration may vary depending on screen settings.
This early print is in generally excellent condition. Visible under raking light are occasional superficial scuffs that do not appear to break the emulsion. There is very minor wear to the corners.
On the reverse, 'x' and '.' are written in red pencil. There is a white circular sticker with '89' written inside.
When examined under ultraviolet light, this print does not appear to fluoresce.
Provenance:
Jane Corkin Gallery, Toronto
Acquired from the above in 2000 by the present owner
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About Face: The David and Gail Mixer Collection of Photographs
T. Lux Feininger
1910 - 2011
Andor Weininger & Alexander 'Xanti' Schawinsky Clowning with 'Der Geldbriefträger' (Money Postman)
gelatin silver print, signed and annotated in German in ink, a circular label, with '89' in ink, and stray red china marker notations on the reverse, framed
image: 3¼ by 3⅜ in. (8.3 by 8.6 cm.)
frame: 12¾ by 12¾ in. (32.4 by 32.4 cm.)
Executed in 1929-30.
Condition Report:
Please note the colors and shades in the online catalogue illustration may vary depending on screen settings.
This early print is in generally excellent condition. Visible under raking light are occasional superficial scuffs that do not appear to break the emulsion. There is very minor wear to the corners.
On the reverse, 'x' and '.' are written in red pencil. There is a white circular sticker with '89' written inside.
When examined under ultraviolet light, this print does not appear to fluoresce.
Provenance:
Jane Corkin Gallery, Toronto
Acquired from the above in 2000 by the present owner