T. Lux Feininger Xanti Schawinsky Standing on a Bauhaus Colleague
About Face: The David and Gail Mixer Collection of Photographs
T. Lux Feininger
1910 - 2011
Xanti Schawinsky Standing on a Bauhaus Colleague
gelatin silver print, signed in ink, circular label, with '63' in ink, and stray red china marker notations on the reverse, a Jane Corkin Gallery label on the reverse of the mat, framed, a Galerie de France, Paris, label on the reverse
image: 4⅜ by 3¼ in. (11.1 by 8.3 cm.)
frame: 20 by 16 in. (50.8 by 40.6 cm.)
Executed in 1930.
Condition Report:
Please note the colors and shades in the online catalogue illustration may vary depending on screen settings.
This early print, on semi-gloss paper, is in generally excellent condition. Upon close examination, there are 2 small creases in the upper and lower margin corners. There is a small loss of emulsion at the tip of the upper right margin corner.
The reverse is somewhat age-darkened.
When examined under ultraviolet light, this print does not appear to fluoresce.
Provenance:
Jane Corkin Gallery, Toronto
Acquired from the above in 2001 by the present owner
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About Face: The David and Gail Mixer Collection of Photographs
T. Lux Feininger
1910 - 2011
Xanti Schawinsky Standing on a Bauhaus Colleague
gelatin silver print, signed in ink, circular label, with '63' in ink, and stray red china marker notations on the reverse, a Jane Corkin Gallery label on the reverse of the mat, framed, a Galerie de France, Paris, label on the reverse
image: 4⅜ by 3¼ in. (11.1 by 8.3 cm.)
frame: 20 by 16 in. (50.8 by 40.6 cm.)
Executed in 1930.
Condition Report:
Please note the colors and shades in the online catalogue illustration may vary depending on screen settings.
This early print, on semi-gloss paper, is in generally excellent condition. Upon close examination, there are 2 small creases in the upper and lower margin corners. There is a small loss of emulsion at the tip of the upper right margin corner.
The reverse is somewhat age-darkened.
When examined under ultraviolet light, this print does not appear to fluoresce.
Provenance:
Jane Corkin Gallery, Toronto
Acquired from the above in 2001 by the present owner