TWO JAPANESE STUDIO CERAMICS BY TAKAHASHI DOHACHI II AND IV EDO (1603-1868) AND MEIJI (1868-1912) PERIODS
Description: TWO JAPANESE STUDIO CERAMICS BY TAKAHASHI DOHACHI II AND IV
EDO (1603-1868) AND MEIJI (1868-1912) PERIODS
Comprising a stoneware tokkuri (sake ewer) by Dohachi II decorated in Ninsei-style blue enamel with chrysanthemums, signed 'Dohachi' under the spout, and an earthenware raku-style mukozuke (serving dish) in the form of a roof tile, with an impressed mark for Dohachi IV underneath.
The ewer 18cm high, 14.5cm wide. The dish 8cm high, 14cm wide
Condition:
Condition: Small chip to the rim of the lid on the tokkuri, no visible faults or damage to the tile-form dish.
LJ delivery size: Small
The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to inspect articles for sale at our pre-sale viewing where Leonard Joel staff are available for advice.
Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.
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Description: TWO JAPANESE STUDIO CERAMICS BY TAKAHASHI DOHACHI II AND IV
EDO (1603-1868) AND MEIJI (1868-1912) PERIODS
Comprising a stoneware tokkuri (sake ewer) by Dohachi II decorated in Ninsei-style blue enamel with chrysanthemums, signed 'Dohachi' under the spout, and an earthenware raku-style mukozuke (serving dish) in the form of a roof tile, with an impressed mark for Dohachi IV underneath.
The ewer 18cm high, 14.5cm wide. The dish 8cm high, 14cm wide
Condition:
Condition: Small chip to the rim of the lid on the tokkuri, no visible faults or damage to the tile-form dish.
LJ delivery size: Small
The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to inspect articles for sale at our pre-sale viewing where Leonard Joel staff are available for advice.
Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.