Taino Stone Figural Zemi Pestle, Transformative Figure
Ca. 1000–1500 CE. Pre-Columbian, Caribbean, Dominican Republic, Taino (Arawak) peoples, ca. 1000 to 1500 CE. A superb stone pestle in the form of an effigy figure known as a zemi, the gaunt man wrapping his legs around the pounder, his neck forming a finger grip. The stylized body has arms raised to the sides of the head, and emphasis is placed upon the skeletal appearance- spine protruding and sunken eye sockets. It is possible that this pestle was used to create Cohoba powder that is traditionally inhaled by a shaman to produce hallucinogenic effects and visions during a ritual that the Taino interpret as apparitions of spirits who deliver important messages. This pestle seems to show someone in the act of ingesting something magical or undergoing a transformation, perhaps crossing the line between life and death / spirit world. Size: 4" Diameter x 8.5" H (10.2 cm x 21.6 cm) Size: 8.5" H x 4" Diam (21.6 cm H x 10.2 cm Diam).
Taino spirituality revolved around ancestor and spirit worship via carved stone figures called "zemis" that embodied the spirits and deity figures the Taino venerated. In Taino culture death was considered a transitory period; the boundaries between life and death seem to have felt more porous to the Taino than they do to us today.
This piece was from a pre-1970 Taino collection, and many of the pieces in the collection were on public display at the Museum of Native American History in Bentonville Arkansas from November 2016 to March 2019. Most of the artifacts came from Wilfred Belmar; born in the Dominican Republic, he began finding and collecting artefacts as a child through the 1930s and 1940s. This collection has been vetted by Dr. William F. Keegan, chairman and curator of the Anthropology Department of Natural History at the Florida Museum of Natural History, Associate Director for Research and Collections, professor of Anthropology and Curator of Latin American Studies at the University of Florida, and author of "Talking Taino" published 2008 and "The Oxford Handbook of Caribbean Archaeology" published in 2013. In 2015 he studied this collection and was quite impressed with the quality of the pieces. The pieces were also studied by Dr. John F. Scott, Professor Emeritus, Professor of Art History at the University of Florida and publisher of the textbooks: "Latin American Art: Ancient and Modern," "The Art of the Taino of the Dominican Republic" in 1985, and the 1970 Metropolitan Museum of Art catalog "Before Cortes."
Provenance: private J. Hart Collection, Houston, Texas, USA, acquired mid-1970's
SHIPPING: We coordinate worldwide shipping in-house through specialist international forwarders experienced with fine art and antiquities customs manifests. International buyers must confirm, prior to bidding, that their country's customs authority will accept the item. All duties, taxes, clearance fees, and any costs arising from customs delays, seizures, re-export, returns, or loss in transit are the buyer's sole responsibility. Artemis assumes no liability for items refused entry, detained, or lost after export. We cannot ship ancient items to their country of origin (Egyptian to Egypt, Greek to Greece, etc.).For those not using LiveAuctioneers' Live Ship program, Artemis Fine Arts offers expert in-house packing and worldwide shipping. With over 20 years of experience, our team provides careful, reliable, and affordable service. For a quick quote on this lot, please contact support@artemisfinearts.com prior to the auction, or call 720-890-7700.
PAYMENT EXCEPTION: For clients not previously established with Artemis, payment for all gold, precious metal, and gemstone lots must be made by bank wire transfer or certified bank check/money order, without exception.
Item #176871
Condition
Minor chips and nicks throughout. Intact without repairs and overall excellent condition.
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Ca. 1000–1500 CE. Pre-Columbian, Caribbean, Dominican Republic, Taino (Arawak) peoples, ca. 1000 to 1500 CE. A superb stone pestle in the form of an effigy figure known as a zemi, the gaunt man wrapping his legs around the pounder, his neck forming a finger grip. The stylized body has arms raised to the sides of the head, and emphasis is placed upon the skeletal appearance- spine protruding and sunken eye sockets. It is possible that this pestle was used to create Cohoba powder that is traditionally inhaled by a shaman to produce hallucinogenic effects and visions during a ritual that the Taino interpret as apparitions of spirits who deliver important messages. This pestle seems to show someone in the act of ingesting something magical or undergoing a transformation, perhaps crossing the line between life and death / spirit world. Size: 4" Diameter x 8.5" H (10.2 cm x 21.6 cm) Size: 8.5" H x 4" Diam (21.6 cm H x 10.2 cm Diam).
Taino spirituality revolved around ancestor and spirit worship via carved stone figures called "zemis" that embodied the spirits and deity figures the Taino venerated. In Taino culture death was considered a transitory period; the boundaries between life and death seem to have felt more porous to the Taino than they do to us today.
This piece was from a pre-1970 Taino collection, and many of the pieces in the collection were on public display at the Museum of Native American History in Bentonville Arkansas from November 2016 to March 2019. Most of the artifacts came from Wilfred Belmar; born in the Dominican Republic, he began finding and collecting artefacts as a child through the 1930s and 1940s. This collection has been vetted by Dr. William F. Keegan, chairman and curator of the Anthropology Department of Natural History at the Florida Museum of Natural History, Associate Director for Research and Collections, professor of Anthropology and Curator of Latin American Studies at the University of Florida, and author of "Talking Taino" published 2008 and "The Oxford Handbook of Caribbean Archaeology" published in 2013. In 2015 he studied this collection and was quite impressed with the quality of the pieces. The pieces were also studied by Dr. John F. Scott, Professor Emeritus, Professor of Art History at the University of Florida and publisher of the textbooks: "Latin American Art: Ancient and Modern," "The Art of the Taino of the Dominican Republic" in 1985, and the 1970 Metropolitan Museum of Art catalog "Before Cortes."
Provenance: private J. Hart Collection, Houston, Texas, USA, acquired mid-1970's
SHIPPING: We coordinate worldwide shipping in-house through specialist international forwarders experienced with fine art and antiquities customs manifests. International buyers must confirm, prior to bidding, that their country's customs authority will accept the item. All duties, taxes, clearance fees, and any costs arising from customs delays, seizures, re-export, returns, or loss in transit are the buyer's sole responsibility. Artemis assumes no liability for items refused entry, detained, or lost after export. We cannot ship ancient items to their country of origin (Egyptian to Egypt, Greek to Greece, etc.).For those not using LiveAuctioneers' Live Ship program, Artemis Fine Arts offers expert in-house packing and worldwide shipping. With over 20 years of experience, our team provides careful, reliable, and affordable service. For a quick quote on this lot, please contact support@artemisfinearts.com prior to the auction, or call 720-890-7700.
PAYMENT EXCEPTION: For clients not previously established with Artemis, payment for all gold, precious metal, and gemstone lots must be made by bank wire transfer or certified bank check/money order, without exception.
Item #176871
Condition
Minor chips and nicks throughout. Intact without repairs and overall excellent condition.