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LOT 63 A

Tamara de Lempicka (1898-1980), Portrait de Kizette

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Tamara de Lempicka (1898-1980)
Portrait de Kizette
stamped with signature ‘T.DE LEMPICKA’ (lower right)
oil on canvas
52 3/8 x 22 7/8 in. (133.1 x 58.1 cm.)
Painted circa 1924

Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee.
Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. In most cases, Christie’s compensates the third party in exchange for accepting this risk with remuneration based on a fixed fee if the third party is the successful bidder or, if the third party is not the successful bidder, either a fixed fee or an amount calculated against the lot’s hammer price. The third party may also bid for the lot above the written bid. Where the third party is the successful bidder, Christie’s will report the final purchase price net of the fixed financing fee for taking on the guarantee risk.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot. This is a lot where Christie’s holds a direct financial guarantee interest that is backed by a third party’s irrevocable bid.

Provenance
Galerie du Luxembourg, Paris (agent for the artist).
Barry Friedman, Ltd., New York (acquired from the above, circa 1979).
Anon. sale, Christie's, New York, 26 March 1983, lot 100.
Private collection, New York (acquired at the above sale).
Acquired by the present owner, 2001.

Saleroom Notice
Please note the updated provenance for this work below:
Galerie du Luxembourg, Paris (agent for the artist).
Barry Friedman, Ltd., New York (acquired from the above, circa 1979).
Anon. sale, Christie's, New York, 26 March 1983, lot 100.
Private collection, New York (acquired at the above sale).
Acquired by the present owner, 2001.

Literature
(possibly) T. de Lempicka, Album-photos annoté, Archives Lempicka, Houston, 1923, no. 17.
G. Marmori, Tamara de Lempicka: Les oeuvres majeures de Tamara de Lempicka 1925 à 1935, Paris, 1978, p. 55 (illustrated).
G. Bazin and H. Itsuki, Tamara de Lempicka, Tokyo, 1980, no. 21 (illustrated in color; dated 1927).
G. Néret, Tamara de Lempicka, Cologne, 1991, p. 17 (illustrated in color; titled Kizette in Rosa and dated 1927).
E. Thormann, Tamara de Lempicka: Kunstkritik und Künstlerinnen in Paris, Berlin, 1993, p. 212, no. 27 (dated 1925).
G. Neret, Tamara de Lempicka: 1898-1980, Cologne, 1993, p. 17 (illustrated in color; dated 1927; as Kizette in Rosa).
A. Blondel, Tamara de Lempicka: Catalogue raisonné, 1921-1979, Lausanne, 1999, p. 119, no. B.48 (illustrated in color).
R. Gillette, The Art of the Interior, New York, 2011, p. 38 (illustrated).
G. Mori, Tamara de Lempicka: The Queen of Modern, Milan, 2011, p. 144 (illustrated in color, p. 145; dated circa 1923-1924).

Exhibited
Paris, Galerie du Luxembourg, Tamara de Lempicka de 1925 à 1935, June-July 1972, p. 12, no. 3
Tokyo and Osaka, Seibu, Tamara de Lempicka, January-February 1981.
Vienna, Kunstforum, Tamara de Lempicka: Femme fatale des Art Déco, September 2004-January 2005.
Boulogne-Billancourt, Musée des Années 30, Lempicka: The Artist, The Woman, The Legend, March-July 2006, p. 94 (illustrated in color).
Milan, Palazzo Reale, Tamara de Lempicka, October 2006-February 2007, p. 107, no. 11 (illustrated).
Vigo, Casa das Artes, Tamara de Lempicka, April-July 2007.
Mexico City, Museo del Palacio de Bellas Artes, Tamara de Lempicka, May-August 2009, p. 78, no. 8 (illustrated in color, p. 79).
Tokyo, Bunkamura Museum of Fine Arts and Hyogo Prefectural Museum of Art, Tamara de Lempicka et son époque, March-July 2010, pp. 48-49, no. 9.
Rome, Complesso del Vittoriano, Tamara de Lempicka: The Queen of Modern, March-July 2011, p. 144, no. 16 (illustrated in color, p. 145).
Seoul, Hangaram Art Museum, The Queen of Art Deco: Tamara de Lempicka, December 2016-March 2017.

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Tamara de Lempicka (1898-1980)
Portrait de Kizette
stamped with signature ‘T.DE LEMPICKA’ (lower right)
oil on canvas
52 3/8 x 22 7/8 in. (133.1 x 58.1 cm.)
Painted circa 1924

Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee.
Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. In most cases, Christie’s compensates the third party in exchange for accepting this risk with remuneration based on a fixed fee if the third party is the successful bidder or, if the third party is not the successful bidder, either a fixed fee or an amount calculated against the lot’s hammer price. The third party may also bid for the lot above the written bid. Where the third party is the successful bidder, Christie’s will report the final purchase price net of the fixed financing fee for taking on the guarantee risk.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot. This is a lot where Christie’s holds a direct financial guarantee interest that is backed by a third party’s irrevocable bid.

Provenance
Galerie du Luxembourg, Paris (agent for the artist).
Barry Friedman, Ltd., New York (acquired from the above, circa 1979).
Anon. sale, Christie's, New York, 26 March 1983, lot 100.
Private collection, New York (acquired at the above sale).
Acquired by the present owner, 2001.

Saleroom Notice
Please note the updated provenance for this work below:
Galerie du Luxembourg, Paris (agent for the artist).
Barry Friedman, Ltd., New York (acquired from the above, circa 1979).
Anon. sale, Christie's, New York, 26 March 1983, lot 100.
Private collection, New York (acquired at the above sale).
Acquired by the present owner, 2001.

Literature
(possibly) T. de Lempicka, Album-photos annoté, Archives Lempicka, Houston, 1923, no. 17.
G. Marmori, Tamara de Lempicka: Les oeuvres majeures de Tamara de Lempicka 1925 à 1935, Paris, 1978, p. 55 (illustrated).
G. Bazin and H. Itsuki, Tamara de Lempicka, Tokyo, 1980, no. 21 (illustrated in color; dated 1927).
G. Néret, Tamara de Lempicka, Cologne, 1991, p. 17 (illustrated in color; titled Kizette in Rosa and dated 1927).
E. Thormann, Tamara de Lempicka: Kunstkritik und Künstlerinnen in Paris, Berlin, 1993, p. 212, no. 27 (dated 1925).
G. Neret, Tamara de Lempicka: 1898-1980, Cologne, 1993, p. 17 (illustrated in color; dated 1927; as Kizette in Rosa).
A. Blondel, Tamara de Lempicka: Catalogue raisonné, 1921-1979, Lausanne, 1999, p. 119, no. B.48 (illustrated in color).
R. Gillette, The Art of the Interior, New York, 2011, p. 38 (illustrated).
G. Mori, Tamara de Lempicka: The Queen of Modern, Milan, 2011, p. 144 (illustrated in color, p. 145; dated circa 1923-1924).

Exhibited
Paris, Galerie du Luxembourg, Tamara de Lempicka de 1925 à 1935, June-July 1972, p. 12, no. 3
Tokyo and Osaka, Seibu, Tamara de Lempicka, January-February 1981.
Vienna, Kunstforum, Tamara de Lempicka: Femme fatale des Art Déco, September 2004-January 2005.
Boulogne-Billancourt, Musée des Années 30, Lempicka: The Artist, The Woman, The Legend, March-July 2006, p. 94 (illustrated in color).
Milan, Palazzo Reale, Tamara de Lempicka, October 2006-February 2007, p. 107, no. 11 (illustrated).
Vigo, Casa das Artes, Tamara de Lempicka, April-July 2007.
Mexico City, Museo del Palacio de Bellas Artes, Tamara de Lempicka, May-August 2009, p. 78, no. 8 (illustrated in color, p. 79).
Tokyo, Bunkamura Museum of Fine Arts and Hyogo Prefectural Museum of Art, Tamara de Lempicka et son époque, March-July 2010, pp. 48-49, no. 9.
Rome, Complesso del Vittoriano, Tamara de Lempicka: The Queen of Modern, March-July 2011, p. 144, no. 16 (illustrated in color, p. 145).
Seoul, Hangaram Art Museum, The Queen of Art Deco: Tamara de Lempicka, December 2016-March 2017.

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Sale price
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Estimate
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Time, Location
13 Nov 2017
USA, New York, NY
Auction House
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