The painting of the cross depicted in the ceremonies of Holy Mass together the treasure of NSJC's devotion to suffering. The whole enriched with beautiful figures. Paris, Mazot, 1651. In-8 full period blond calf, spine ribbed and flats covered with...

The painting of the cross depicted in the ceremonies of Holy Mass together the treasure of NSJC's devotion to suffering. The whole enriched with beautiful figures. Paris, Mazot, 1651. In-8 full period blond calf, spine ribbed and flats covered with gilt decoration with small irons, gilt edges, clasps (caps, cups and corners restored, rubbing with lacks of gilding). Fully engraved work including title, dedication, 50 leaves engraved on both sides with many beautiful figures, and a final privilege leaf, a total of 53 engraved leaves. The portrait of the Marquis de Chasteauneuf facing the dedication sheet is signed Gheyn, the title-frontispiece and the engraving at the head of the first part "Les Litanies" are signed J. Collin. Nice period binding finely decorated with small irons, attributable to Florimond Badier. Automatically translated by DeepL. To see the original version, click here.