Tiffany Studios Vase
Tiffany Studios
Vase
circa 1899
Favrile glass
engraved o8867 L.C.T. with the firm’s paper label
3½ in. (8.9 cm) high
Condition Report:
Overall in very good condition. When viewed firsthand, the miniature vase displays a transparent amber body with a richly speckled forest green surface and bold leaves articulated in shades of green, gold and iridescent magenta. The glass presents with occasional minor air bubbles, particulate inclusions and surface irregularities which are inherent in the making and not visually distracting. The interior of the vase with a fine internal thread inherent in the making, which runs from one side of the rim through the foot to the other side. The glass surfaces throughout with scattered, very fine and light surface scratches consistent with age and gentle handling. The interior of the vase with traces of light surface soiling. The underside of the vase is applied with a Doros Collection accession number.
Catalogue Note:
A Study in Ingenuity
Many, if not the majority, of Tiffany glass collectors are satisfied with a single representative piece of a certain style or motif. That was not my parents’ attitude. Familiar with the study galleries the Corning Museum of Glass featured in the 1970s and 1980s and the encyclopedic collection of the Chrysler Museum of Art, Jay and Micki wanted their own collection to be educational as well as comprehensive. The following three lots best exemplify that attitude. The vase numbered o8866 (lot 339) was purchased from Minna Rosenblatt in 1984; the example marked o8867 (lot 337) was obtained at Sotheby’s the following year; and they bought the third piece (lot 338) from Skinner’s in 1991. All three, of similar color, design and shape, were likely made on the same day by the same gaffer. Each, however, is strikingly different in terms of iridescence, the type of stylized flower depicted and one even is enhanced with engraving. The three were always displayed together in the house and my father loved to discuss how they so beautifully demonstrated the brilliant artistic talents and ingenuity of Tiffany’s glassworkers.
- PD
Provenance:
Sander Davidson, Tulsa, Oklahoma
Sotheby’s New York, May 18, 1985, lot 424
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Tiffany Studios
Vase
circa 1899
Favrile glass
engraved o8867 L.C.T. with the firm’s paper label
3½ in. (8.9 cm) high
Condition Report:
Overall in very good condition. When viewed firsthand, the miniature vase displays a transparent amber body with a richly speckled forest green surface and bold leaves articulated in shades of green, gold and iridescent magenta. The glass presents with occasional minor air bubbles, particulate inclusions and surface irregularities which are inherent in the making and not visually distracting. The interior of the vase with a fine internal thread inherent in the making, which runs from one side of the rim through the foot to the other side. The glass surfaces throughout with scattered, very fine and light surface scratches consistent with age and gentle handling. The interior of the vase with traces of light surface soiling. The underside of the vase is applied with a Doros Collection accession number.
Catalogue Note:
A Study in Ingenuity
Many, if not the majority, of Tiffany glass collectors are satisfied with a single representative piece of a certain style or motif. That was not my parents’ attitude. Familiar with the study galleries the Corning Museum of Glass featured in the 1970s and 1980s and the encyclopedic collection of the Chrysler Museum of Art, Jay and Micki wanted their own collection to be educational as well as comprehensive. The following three lots best exemplify that attitude. The vase numbered o8866 (lot 339) was purchased from Minna Rosenblatt in 1984; the example marked o8867 (lot 337) was obtained at Sotheby’s the following year; and they bought the third piece (lot 338) from Skinner’s in 1991. All three, of similar color, design and shape, were likely made on the same day by the same gaffer. Each, however, is strikingly different in terms of iridescence, the type of stylized flower depicted and one even is enhanced with engraving. The three were always displayed together in the house and my father loved to discuss how they so beautifully demonstrated the brilliant artistic talents and ingenuity of Tiffany’s glassworkers.
- PD
Provenance:
Sander Davidson, Tulsa, Oklahoma
Sotheby’s New York, May 18, 1985, lot 424
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Estimate
Time, Location
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