Tyler Bright Hilton (b. 1979), THERE WAS THE SOUND OF SOME INSECT TRAPPED IN THE LIGHT IN THE HALL, REPEATEDLY BANGING ITSELF AGAINST THE BULB, AND IT WAS DRIVING HER NUTS. ABSOLUTELY FUCKING NUTS, FROM MINMEI MADELYNNE PRYOR ON THE TRAIL OF A LI
Tyler Bright Hilton (b. 1979), Canadian
THERE WAS THE SOUND OF SOME INSECT TRAPPED IN THE LIGHT IN THE HALL, REPEATEDLY BANGING ITSELF AGAINST THE BULB, AND IT WAS DRIVING HER NUTS. ABSOLUTELY FUCKING NUTS, FROM MINMEI MADELYNNE PRYOR ON THE TRAIL OF A LIAR, 2008-2018
viscocity etching with hardground, burnishing, aquatint in colours on wove paper, with full margins
initialed and numbered 1/15; published and printed by Open Studio, Toronto
20 x 26.75 in — 50.8 x 67.9 cm
Estimate: $400—600 CAD
Provenance: Private Collection, Toronto, ON Dimensions: 20 x 26.75 in — 50.8 x 67.9 cm Medium: viscocity etching with hardground, burnishing, aquatint in colours on wove paper, with full margins Condition: Very good overall condition.
Not examined out of frame, the whole sheet visible.
Tyler Bright Hilton (b. 1979), Canadian
THERE WAS THE SOUND OF SOME INSECT TRAPPED IN THE LIGHT IN THE HALL, REPEATEDLY BANGING ITSELF AGAINST THE BULB, AND IT WAS DRIVING HER NUTS. ABSOLUTELY FUCKING NUTS, FROM MINMEI MADELYNNE PRYOR ON THE TRAIL OF A LIAR, 2008-2018
viscocity etching with hardground, burnishing, aquatint in colours on wove paper, with full margins
initialed and numbered 1/15; published and printed by Open Studio, Toronto
20 x 26.75 in — 50.8 x 67.9 cm
Estimate: $400—600 CAD
Provenance: Private Collection, Toronto, ON Dimensions: 20 x 26.75 in — 50.8 x 67.9 cm Medium: viscocity etching with hardground, burnishing, aquatint in colours on wove paper, with full margins Condition: Very good overall condition.
Not examined out of frame, the whole sheet visible.
