Vase; Juan Ruíz de Luna (Noez, 1863 - Talavera de la Reina, 1945).
Vase; JUAN RUÍZ DE LUNA (Noez, 1863 - Talavera de la Reina, 1945).
Pewter and blue glazed ceramic.
Presents faults in the mouth.
It has marks on the base and foot.
Measurements: 47,5 x 23,5 x 23,5 cm.
Vase made by Juan Ruiz de Luna, ceramist heir of the tradition of Talavera de la Reina, becoming a popular personality of the Spain of the Golden Century. His artistic style was characterized by the readaptation and modernization of ancient stylistic models, the word "Talavera", with the distinctive handwriting of Juan Ruiz de Luna himself and his trademark.
Of Muslim origin, the ceramics of Talavera de la Reina acquired industrial importance in the 16th century. Quoted by Cervantes, Lope de Vega and Tirso de Molina, Talavera earthenware can also be documented in much of Spanish Baroque painting. Used by nobles and the humble, its commercial monopoly was in constant conflict with Sevillian earthenware. One of the architects of the recovery of Spanish Talavera ceramics was Juan Niveiro with the founding of the "El Carmen" factory; the incorporation of workers brought from Manises meant another important change in its decorative series. Changes that would reinforce the tricolor series produced by another emerging pottery in the mid-nineteenth century: "La Menora". The earthenware and tiles produced in Talavera de la Reina (Castilla La Mancha, Spain) throughout its five centuries of recognized ceramic tradition has generated such a rich and varied typology that a classification into series proposed since the end of the 19th century by different specialists has become necessary in order to facilitate their study and cataloguing.
COMMENTS
It presents faults in the mouth.
Bid on this lot
Vase; JUAN RUÍZ DE LUNA (Noez, 1863 - Talavera de la Reina, 1945).
Pewter and blue glazed ceramic.
Presents faults in the mouth.
It has marks on the base and foot.
Measurements: 47,5 x 23,5 x 23,5 cm.
Vase made by Juan Ruiz de Luna, ceramist heir of the tradition of Talavera de la Reina, becoming a popular personality of the Spain of the Golden Century. His artistic style was characterized by the readaptation and modernization of ancient stylistic models, the word "Talavera", with the distinctive handwriting of Juan Ruiz de Luna himself and his trademark.
Of Muslim origin, the ceramics of Talavera de la Reina acquired industrial importance in the 16th century. Quoted by Cervantes, Lope de Vega and Tirso de Molina, Talavera earthenware can also be documented in much of Spanish Baroque painting. Used by nobles and the humble, its commercial monopoly was in constant conflict with Sevillian earthenware. One of the architects of the recovery of Spanish Talavera ceramics was Juan Niveiro with the founding of the "El Carmen" factory; the incorporation of workers brought from Manises meant another important change in its decorative series. Changes that would reinforce the tricolor series produced by another emerging pottery in the mid-nineteenth century: "La Menora". The earthenware and tiles produced in Talavera de la Reina (Castilla La Mancha, Spain) throughout its five centuries of recognized ceramic tradition has generated such a rich and varied typology that a classification into series proposed since the end of the 19th century by different specialists has become necessary in order to facilitate their study and cataloguing.
COMMENTS
It presents faults in the mouth.
