Veracruz Ceramic Whistle, Lord on Solar Disc, Stucco Pigment
Pre-Columbian, Mexico, Veracruz, ca. 550–950 CE. A seated lord rides a pierced solar disc atop this ceramic whistle, the mouthpiece drawn out below into a long tapering tube. He wears a knee-length skirt and a towering avian headdress whose bird head projects forward above a spread tail, flanked by fanned feather panels forming a broad backsplash. The disc is cut through with paired ovals and stepped openings, its concentric bands modeled in low relief. Red, cream, and pale blue-green stucco pigment survives across headdress, garment, and rim. Mold-made and hand-finished in the Gulf Coast manner, whistles of this type produced a clear tone and likely served ceremonial or funerary music rather than idle amusement. Size: 11" W x 3" H (27.9 cm W x 7.6 cm H).
Classic-period Gulf Coast workshops produced ceramic whistles, ocarinas, and flutes in extraordinary variety, many recovered from burials, where sound seems to have accompanied the dead as reliably as offerings of food and shell. The pierced disc supporting this figure is conventionally read as a solar or celestial sign, and a ruler seated upon it asserts a claim familiar throughout Mesoamerica: the lord as the sun's earthly counterpart, borne aloft on its wheel. The bird headdress reinforces the reading, since avian regalia links elite performers to the upper sky and to the day's passage. Post-fire stucco painting, applied in red, cream, and blue-green, is a hallmark of the region's finer figural ceramics and is rarely preserved in such quantity.
Provenance: Ex. Musical Museum, Phoenix, AZ.Ex. Arte Primitivo, NYC.
SHIPPING: We coordinate worldwide shipping in-house through specialist international forwarders experienced with fine art and antiquities customs manifests. International buyers must confirm, prior to bidding, that their country's customs authority will accept the item. All duties, taxes, clearance fees, and any costs arising from customs delays, seizures, re-export, returns, or loss in transit are the buyer's sole responsibility. Artemis assumes no liability for items refused entry, detained, or lost after export. We cannot ship ancient items to their country of origin (Egyptian to Egypt, Greek to Greece, etc.).For those not using LiveAuctioneers' Live Ship program, Artemis Fine Arts offers expert in-house packing and worldwide shipping. With over 20 years of experience, our team provides careful, reliable, and affordable service. For a quick quote on this lot, please contact support@artemisfinearts.com prior to the auction, or call 720-890-7700.
PAYMENT EXCEPTION: For clients not previously established with Artemis, payment for all gold, precious metal, and gemstone lots must be made by bank wire transfer or certified bank check/money order, without exception.
Item #
73048
Condition
Repaired from approximately ten original pieces with restoration over the break lines, center feather of backsplash is restored, scattered paint losses.
Buyer's Premium
30%
Sale price
Estimate
Reserve
Time, Location
Auction House
Pre-Columbian, Mexico, Veracruz, ca. 550–950 CE. A seated lord rides a pierced solar disc atop this ceramic whistle, the mouthpiece drawn out below into a long tapering tube. He wears a knee-length skirt and a towering avian headdress whose bird head projects forward above a spread tail, flanked by fanned feather panels forming a broad backsplash. The disc is cut through with paired ovals and stepped openings, its concentric bands modeled in low relief. Red, cream, and pale blue-green stucco pigment survives across headdress, garment, and rim. Mold-made and hand-finished in the Gulf Coast manner, whistles of this type produced a clear tone and likely served ceremonial or funerary music rather than idle amusement. Size: 11" W x 3" H (27.9 cm W x 7.6 cm H).
Classic-period Gulf Coast workshops produced ceramic whistles, ocarinas, and flutes in extraordinary variety, many recovered from burials, where sound seems to have accompanied the dead as reliably as offerings of food and shell. The pierced disc supporting this figure is conventionally read as a solar or celestial sign, and a ruler seated upon it asserts a claim familiar throughout Mesoamerica: the lord as the sun's earthly counterpart, borne aloft on its wheel. The bird headdress reinforces the reading, since avian regalia links elite performers to the upper sky and to the day's passage. Post-fire stucco painting, applied in red, cream, and blue-green, is a hallmark of the region's finer figural ceramics and is rarely preserved in such quantity.
Provenance: Ex. Musical Museum, Phoenix, AZ.Ex. Arte Primitivo, NYC.
SHIPPING: We coordinate worldwide shipping in-house through specialist international forwarders experienced with fine art and antiquities customs manifests. International buyers must confirm, prior to bidding, that their country's customs authority will accept the item. All duties, taxes, clearance fees, and any costs arising from customs delays, seizures, re-export, returns, or loss in transit are the buyer's sole responsibility. Artemis assumes no liability for items refused entry, detained, or lost after export. We cannot ship ancient items to their country of origin (Egyptian to Egypt, Greek to Greece, etc.).For those not using LiveAuctioneers' Live Ship program, Artemis Fine Arts offers expert in-house packing and worldwide shipping. With over 20 years of experience, our team provides careful, reliable, and affordable service. For a quick quote on this lot, please contact support@artemisfinearts.com prior to the auction, or call 720-890-7700.
PAYMENT EXCEPTION: For clients not previously established with Artemis, payment for all gold, precious metal, and gemstone lots must be made by bank wire transfer or certified bank check/money order, without exception.
Item #
73048
Condition
Repaired from approximately ten original pieces with restoration over the break lines, center feather of backsplash is restored, scattered paint losses.
Buyer's Premium
30%