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WANG TIANDE (b.1960), DIGITAL-NO-08-CH01, CH02, 2008

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ink on xuan paper, comprising four panels of calligraphy, each signed in Chinese and Pinyin, dated 2008 and with seals of the artist, two panels 59.7 by 20.3cm, two panels 265 by 66cm Provenance: Michael Goedhuis Published, Illustrated and Exhibited: Jason C Kuo, Chinese Ink Painting Now, New York, 2010, p.159, where the author notes that Wang Tiande was born in Shanghai in 1960, and is one of the most innovative calligraphers in China: he recently created calligraphic works by the planting of new grass or by having sheep eat grass away in the shape of characters. A graduate of the Chinese Painting Department at the Zhejiang Academy of Fine Arts in 1988, he is now dean and professor at the Art and Design Department at Fudan University in Shanghai. Wang’s art is a serious meditation on the precarious relation between permanence and fleeting efflorescence, between the material and the immaterial, between past and present, between tradition and contemporaneity. He started to create his Digital series when he was on an artist’s residency in Paris in 2002. His direct encounter with contemporary art, especially conceptual art, in that city not only inspired new approaches in his own work but also further convinced him of his love for the language of ink. In the Digital series Wang Tiande paints landscapes and calligraphies onto xuan paper and then enriches the images with cigarette burns. Rich in form and content, this series goes beyond any boundaries dividing painting and calligraphy. 2008年 王天德(生于1960年) 数据系列-NO-08-CH01, CHO2ink on xuan paper, comprising four panels of calligraphy, each signed in Chinese and Pinyin, dated 2008 and with seals of the artist, two panels 59.7 by 20.3cm, two panels 265 by 66cm Provenance: Michael Goedhuis Published, Illustrated and Exhibited: Jason C Kuo, Chinese Ink Painting Now, New York, 2010, p.159, where the author notes that Wang Tiande was born in Shanghai in 1960, and is one of the most innovative calligraphers in China: he recently created calligraphic works by the planting of new grass or by having sheep eat grass away in the shape of characters. A graduate of the Chinese Painting Department at the Zhejiang Academy of Fine Arts in 1988, he is now dean and professor at the Art and Design Department at Fudan University in Shanghai. Wang’s art is a serious meditation on the precarious relation between permanence and fleeting efflorescence, between the material and the immaterial, between past and present, between tradition and contemporaneity. He started to create his Digital series when he was on an artist’s residency in Paris in 2002. His direct encounter with contemporary art, especially conceptual art, in that city not only inspired new approaches in his own work but also further convinced him of his love for the language of ink. In the Digital series Wang Tiande paints landscapes and calligraphies onto xuan paper and then enriches the images with cigarette burns. Rich in form and content, this series goes beyond any boundaries dividing painting and calligraphy.

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Time, Location
14 May 2024
United Kingdom
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[ translate ]

ink on xuan paper, comprising four panels of calligraphy, each signed in Chinese and Pinyin, dated 2008 and with seals of the artist, two panels 59.7 by 20.3cm, two panels 265 by 66cm Provenance: Michael Goedhuis Published, Illustrated and Exhibited: Jason C Kuo, Chinese Ink Painting Now, New York, 2010, p.159, where the author notes that Wang Tiande was born in Shanghai in 1960, and is one of the most innovative calligraphers in China: he recently created calligraphic works by the planting of new grass or by having sheep eat grass away in the shape of characters. A graduate of the Chinese Painting Department at the Zhejiang Academy of Fine Arts in 1988, he is now dean and professor at the Art and Design Department at Fudan University in Shanghai. Wang’s art is a serious meditation on the precarious relation between permanence and fleeting efflorescence, between the material and the immaterial, between past and present, between tradition and contemporaneity. He started to create his Digital series when he was on an artist’s residency in Paris in 2002. His direct encounter with contemporary art, especially conceptual art, in that city not only inspired new approaches in his own work but also further convinced him of his love for the language of ink. In the Digital series Wang Tiande paints landscapes and calligraphies onto xuan paper and then enriches the images with cigarette burns. Rich in form and content, this series goes beyond any boundaries dividing painting and calligraphy. 2008年 王天德(生于1960年) 数据系列-NO-08-CH01, CHO2ink on xuan paper, comprising four panels of calligraphy, each signed in Chinese and Pinyin, dated 2008 and with seals of the artist, two panels 59.7 by 20.3cm, two panels 265 by 66cm Provenance: Michael Goedhuis Published, Illustrated and Exhibited: Jason C Kuo, Chinese Ink Painting Now, New York, 2010, p.159, where the author notes that Wang Tiande was born in Shanghai in 1960, and is one of the most innovative calligraphers in China: he recently created calligraphic works by the planting of new grass or by having sheep eat grass away in the shape of characters. A graduate of the Chinese Painting Department at the Zhejiang Academy of Fine Arts in 1988, he is now dean and professor at the Art and Design Department at Fudan University in Shanghai. Wang’s art is a serious meditation on the precarious relation between permanence and fleeting efflorescence, between the material and the immaterial, between past and present, between tradition and contemporaneity. He started to create his Digital series when he was on an artist’s residency in Paris in 2002. His direct encounter with contemporary art, especially conceptual art, in that city not only inspired new approaches in his own work but also further convinced him of his love for the language of ink. In the Digital series Wang Tiande paints landscapes and calligraphies onto xuan paper and then enriches the images with cigarette burns. Rich in form and content, this series goes beyond any boundaries dividing painting and calligraphy.

There is no condition report for this lot.

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Time, Location
14 May 2024
United Kingdom
Auction House