WEDGWOOD BLUE AND WHITE SOLID JASPERWARE 'TWO RUINED COLUMNS' VASE
WEDGWOOD BLUE AND WHITE SOLID JASPERWARE 'TWO RUINED COLUMNS' VASE circa 1786-95, impressed uppercase mark, after the Antique, modeled as the ruins of two white fluted columns, set on a weathered rectangular plinth molded with panels of classical figures, applied overall with lichen and foliage, h: 7 3/4 x w: 8 1/4 x d: 4 1/2 in.
Provenance: A. Monnie & Susan S. Kanter Collection (labels).
Skinner, Boston, 31 May 1997, sale 1778, lot 181 (front cover illustration).
Dallas Auction Gallery, Dallas, TX, 2 January 2006, lot 193.
Jeffrey Milkins Collection, no. 464.
Catalogue Note:
For a similar example from the Stuart and Carita Kadison Collection, see Robin Reilly, 'Wedgwood Jasper', color pls. C.52 and 'Wedgwood', Vol. I, C183, then sold, Skinner, Boston, 1 October 2010, lot 109.
Literature: Wedgwood Society of New York Journal, Ars Ceramic, 'Wedgwood & Bentley The Art of Deception', Number 11, April, 1994, p. 28, (featured as the control piece).
View it on
Sale price
Estimate
Time, Location
Auction House
WEDGWOOD BLUE AND WHITE SOLID JASPERWARE 'TWO RUINED COLUMNS' VASE circa 1786-95, impressed uppercase mark, after the Antique, modeled as the ruins of two white fluted columns, set on a weathered rectangular plinth molded with panels of classical figures, applied overall with lichen and foliage, h: 7 3/4 x w: 8 1/4 x d: 4 1/2 in.
Provenance: A. Monnie & Susan S. Kanter Collection (labels).
Skinner, Boston, 31 May 1997, sale 1778, lot 181 (front cover illustration).
Dallas Auction Gallery, Dallas, TX, 2 January 2006, lot 193.
Jeffrey Milkins Collection, no. 464.
Catalogue Note:
For a similar example from the Stuart and Carita Kadison Collection, see Robin Reilly, 'Wedgwood Jasper', color pls. C.52 and 'Wedgwood', Vol. I, C183, then sold, Skinner, Boston, 1 October 2010, lot 109.
Literature: Wedgwood Society of New York Journal, Ars Ceramic, 'Wedgwood & Bentley The Art of Deception', Number 11, April, 1994, p. 28, (featured as the control piece).