Walead Beshty Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) (WB06709)
Walead Beshty
b. 1976
Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) (WB06709)
a unique object, mural-sized chromogenic photogram, mounted, framed, a Thomas Dane Gallery label on the reverse, 2009
image: 273.6 by 126.7 cm (107¾ by 49⅞ in.)
frame: 278.7 by 131.7 cm (109¾ by 51⅞ in.)
Condition Report:
Please note the colours and shades in the online catalogue illustration may vary depending on screen settings.
While this mural-sized chromogenic print has not been examined out of its frame, it appears to be in generally very good condition to excellent condition. The electric colours remain bright and saturated, with no apparent fading. As is a typical result of the artist's working process, there are a few soft and sharp handling creases throughout. Under close examination, the following are visible: a 2-inch tear along the right edge that appears to have been treated and retouched; and a few scattered small glossy deposits of indeterminate nature. None of the aforementioned detract from the overall dynamic appearance of this photogram.
Provenance:
Thomas Dane Gallery, London, 2009
View it on
Sale price
Estimate
Time, Location
Auction House
Walead Beshty
b. 1976
Six Magnet, Three Color Curl (CMY: Irvine, California, September 6th 2009, Fuji Crystal Archive Type C) (WB06709)
a unique object, mural-sized chromogenic photogram, mounted, framed, a Thomas Dane Gallery label on the reverse, 2009
image: 273.6 by 126.7 cm (107¾ by 49⅞ in.)
frame: 278.7 by 131.7 cm (109¾ by 51⅞ in.)
Condition Report:
Please note the colours and shades in the online catalogue illustration may vary depending on screen settings.
While this mural-sized chromogenic print has not been examined out of its frame, it appears to be in generally very good condition to excellent condition. The electric colours remain bright and saturated, with no apparent fading. As is a typical result of the artist's working process, there are a few soft and sharp handling creases throughout. Under close examination, the following are visible: a 2-inch tear along the right edge that appears to have been treated and retouched; and a few scattered small glossy deposits of indeterminate nature. None of the aforementioned detract from the overall dynamic appearance of this photogram.
Provenance:
Thomas Dane Gallery, London, 2009