Walter Leblanc, Torsions B.V. 18
signed, titled and dated "Walter Leblanc TORSIONS B.V. 18 1963" on the reverse
polyvinyl on stretcher mounted to Masonite, in artist’s frame
24 x 24 in. (61 x 61 cm.)
Executed in 1963, this work is registered in the archives of the Fondation Walter & Nicole Leblanc, Brussels, under no. 584.
Provenance:
The artist
La Biennale di Venezia
Acquired from the above by the present owner in 1970
Exhibited:
Venice, XXXV Biennale Internazionale d'Arte di Venezia, June 24 - October 25, 1970, no. III, n.p. (illustrated)
Oak Ridge Community Art Center Knoxville, Selection of New Belgian Painting, 1972, n.p. (illustrated)
Literature:
Clés pour les arts, vol. 1, September 1970, p. 29
Nicole Leblanc and Danielle Everarts de Velp Seynaeve, Walter Leblanc Catalogue Raisonné, Brussels, 1997, no. 584, p. 203 (illustrated)
Making Modern: Art & Design from the Collection of Florence Knoll Bassett
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signed, titled and dated "Walter Leblanc TORSIONS B.V. 18 1963" on the reverse
polyvinyl on stretcher mounted to Masonite, in artist’s frame
24 x 24 in. (61 x 61 cm.)
Executed in 1963, this work is registered in the archives of the Fondation Walter & Nicole Leblanc, Brussels, under no. 584.
Provenance:
The artist
La Biennale di Venezia
Acquired from the above by the present owner in 1970
Exhibited:
Venice, XXXV Biennale Internazionale d'Arte di Venezia, June 24 - October 25, 1970, no. III, n.p. (illustrated)
Oak Ridge Community Art Center Knoxville, Selection of New Belgian Painting, 1972, n.p. (illustrated)
Literature:
Clés pour les arts, vol. 1, September 1970, p. 29
Nicole Leblanc and Danielle Everarts de Velp Seynaeve, Walter Leblanc Catalogue Raisonné, Brussels, 1997, no. 584, p. 203 (illustrated)
Making Modern: Art & Design from the Collection of Florence Knoll Bassett